- Focal Length & Maximum Aperture: 55-250mm F/4-5.6
- 12 Elements In 10 Groups, Including One UD-glass Element
- Focus Adjustment: DC Motor, Gear-driven(front Focusing Design)
- Closest Focusing Distance: 3.6 Ft./1.1m
Genre: Feature Film-Drama
Rating: R
Release Date: 3-JUL-2007
Media Type: DVDAuto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equ! ipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerAuto Focus features a dazzling array of self-portraits by seventy-five of the worldâs foremost contemporary photographers. Photography writer and curator Susan Bright provides a clear guide through this significant and dynamic genre, showing how issues of identityâ"whether national, sexual, racial, personal, or artisticâ"are key to understanding the work of many of todayâs leading photographers.
This lavishly illustrated, accessible survey is or! ganized into five thematic chapters: diaristic and autobiograp! hical im ages; pictures of the body; the use of masks and masquerade; the return to studio portraiture and the photographic album; and performance, both public and private. An informative illustrated introduction explains the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artistsâ images of themselves.
From intimate images of introspection and those that consciously challenge notions of ethnicity and sexuality to dramatic, stylized photographs of dreamlike scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today.Auto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits! . His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerThis telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabiliz! er effect equivalent to a shutter speed about 4 stops faster t! han the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers. Incorporating Canon's Optical Image Stabilizer technology, this Canon 55-250mm telephoto zoom lens captures long distance, low-light shots far better than many comparable lenses, helping you photograph the far-off action of athletes or zoom in for an intimate portrait with a blurred background. The high-zoom-ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses). More significantly, t! he image stabilizer effect creates an equivalent shutter speed of roughly four stops faster than the same size lens without an image stabilizer. In other words, if the slowest shutter speed you can hold a 250mm lens steadily is normally 1/250th of a second, this Canon lens will let you hand-hold shutter speeds as slow as 1/15th of a second. The lens also boasts a UD-glass lens element to correct chromatic aberration to create excellent image quality throughout the zoom range. Delivering an excellent performance at an affordable price for all photographers, the 55-250mm lens carries a one-year warranty.
Specifications
- Focal length: 55-250mm
- Maximum aperture: f/4 to f/5.6
- Lens construction: 12 elements in 10 groups, including one UD-glass element
- Diagonal angle of view: 27 degrees (at 50 feet) to 6 degrees (at 15 feet), with APS-C image sensors
- Focus adjustment: DC motor, gear-driven (front focusing design)
- Closest focusing distanc! e: 3.6 feet (0.31x maximum close-up magnification)
- Filter ! size: 58 mm
- Dimensions: 2.8 inches in diameter and 4.3 inches long
- Weight: 13.8 ounces
- Warranty: 1 year

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