
- Academy Award? winner Anthony Hopkins and Academy Award? nominee Ryan Gosling are brilliant in this "exceptionally suspenseful nail-biter" (Rex Reed) that's so smart it "doesn't let go, even after the final twist" (Gene Shalit, "Today"). Ted Crawford (Hopkins) brutally murders his wife and calmly waits for the police to arrest him. With the weapon and a signed confession in hand, Deputy D.A., Will
Dan Dunne (Ryan Gosling) is a young inner-city junior high school teacher whose ideals wither and die in the face of reality. Day after day in his shabby Brooklyn classroom, he somehow finds the energy to inspire his 13 and 14-year-olds to examine everything from civil rights to the Civil War with a new enthusiasm. Rejecting the standard curriculum in favor of an edgier approach, Dan teaches his students how change works ' on both a historical and personal scale ' and how to think for themselves.
Though Dan is brilliant, dynamic, and in control in the classroom, he spends his time outside school on the edge of consciousness. His disappointments and disillusionment have led to a serious drug habit. He juggles his hangovers and his homework, keeping his lives separated, until one of his troubled students, Drey (Shareeka Epps), catches him getting high after school.
From this awkward beginning, Dan and Drey stumble into an unexpected friendship. Despite the differences in their ages and situations, they are both at an important intersection. Depending on which way they turn ' and which choices they make ' their lives will change.
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Sometimes people are att! racted t o each other because of their differences. When there's a nebulous attraction between a teacher and a young teenage child--as in the superb Half Nelson--the relationship has all the makings of confused disaster. Though there are a few uncomfortable moments when it's not obvious whether Dan (Ryan Gosling) and Drey (Shareeka Epps) might cross the line, the attraction between the pair is culled less from sexual tension than desperation. Dan is an idealistic history teacher in an inner-city school. Drey is one of his brightest students. For both, drugs represent something that may help them escape their worlds. He takes drugs to dull his dissatisfaction with himself. She views drugs as a possible way to better her life, even though she knows her brother's foray into that trade landed him in jail. Bleakly filmed and well told, Half Nelson soars because of the immaculate acting by Gosling and Epps. With his impish smile, Gosling provides a character that is at once d! isarming, alluring, and pitiful. As the young girl who's already seen too much hardship in her life, Epps plays her part with just the right amount of hardened raw emotion. While the ambiguous ending may not please fans weaned on happy Hollywood finales, it's a fitting and believable close to a thought-provoking film. --Jae-Ha Kim
Stills from Half Nelson (click for larger image)
Beyond Half Nelson at Amazon.com
 The Films of Ryan Gosling |
 More Oscar Nominated Roles at the Amazon.com Oscar Store |
 The Soundtrack |
Sometimes you find love where you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to a! sk the question: What's so wrong with being happy?To some,
! Lars and the Real Girl will play as comedy; to others, tragedy. Though Craig Gillespie (Mr. Woodcock) allows Lars Lindstrom (a mustachioed Ryan Gosling, miles away from
Half Nelson) a happy ending, the road is far from smooth. This rumpled Midwesterner couldn't be more miserable. His brother, Gus (Paul Schneider,
All the Real Girls), and sister-in-law, Karin (Emily Mortimer,
Lovely and Amazing), fall over themselves to cheer him up, but Lars cannot be moved; heâs been like that since childhood. Then a porn-addicted co-worker hips him to the lifelike Real Doll. The next thing everyone knows, Lars has a new girlfriend named Bianca. She's from Brazil, she's shy, and she uses a wheelchair. She's also made of silicon. (Because Lars is a devout Christian, hanky-panky is out of the question.) Since he's finally emerging from his shell, his doctor, Dagmar (Patricia Clarkson), advises Gus and Karin to play along with the "delusion." Soon the whole town, including M! argo (Kelli Garner), who harbors a not-so-secret crush on her officemate, gets in on the action, forcing Lars to rejoin the human race or crawl deeper into psychosis. Written by
Six Feet Under's Nancy Oliver,
Lars and the Real Girl is built around such a preposterous premise, it's hard to know whether to laugh or cry. Fortunately, the actors play it straight. Gosling does his best to make Lars sympathetic, but Schneider and Mortimer, fully convincing in their concern, are the true heart and soul of this odd little film. --
Kathleen C. Fennessy
Beyond Lars and the Real Girl
 More from Ryan Gosling |  Lars and the Real Girl Soundtrack! | < td width="33%"> 
More Comedies from MGM
Stills from Lars and the Real Girl
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Blue Valentine is the story of love found and love lost told in past and present moments in time. Flooded with romantic memories of their courtship, Dean and Cindy use one night to try and save their failing marriage. Ryan Gosling and Michelle Williams star in this honest portrait of a relationship on the rocks.Love blooms and dies at the same time in the delicate dance between Oscar nominees Ryan Gosling (Half Nelson) and Michelle Williams (Brokeback Mountain). Gosling's Dean, a high-school dropout, works for a New York moving company. While relocating a frail widower into a retirement home, he spots Cindy, a nursing student who's visiting her grandmother, but the film actually begins six years later. Married with a daughter, they live in rural Pennsylvania. Heavy drinker Dean's looks are fading, while Cindy still turns heads. In his elegantly constructed second feature, writer-director Derek Cianfrance pirouettes between past and present, with ea! ch scene commenting on the next (set to the bittersweet tones ! of Brook lyn band Grizzly Bear). The Dean of the early years pursues Cindy, who resists at first, but a spontaneous date ends with her tap dancing (badly) and him singing (not so badly). She leaves her domineering boyfriend (Mike Vogel) for this attentive stranger, leading to scenes of intimacy that are far more suggestive than pornographic--even if the MPAA briefly rated the film NC-17. Later, when the family dog goes missing, the cracks in their marriage intensify, so Dean arranges for a night of romance, which plays out like a negative image of their first date. If the two actors, who are very good, are meant to carry equal weight, Gosling has the more difficult task. It's harder to like the clingy, insecure Dean, who loves more intensely and less wisely, but that makes Gosling's the braver performance. --Kathleen C. FennessyAcademy Awardî winner Anthony Hopkins and Academy Awardî nominee Ryan Gosling are brilliant in this "exceptionally suspenseful nail-biter" (Rex R! eed) that's so smart it "doesn't let go, even after the final twist" (Gene Shalit, "Today"). Ted Crawford (Hopkins) brutally murders his wife and calmly waits for the police to arrest him. With the weapon and a signed confession in hand, Deputy D.A., Willy Beachum (Gosling), believes a conviction is a slam dunk; that is until the case completely unravels. Now, with little evidence, Beachum goes head to head with the cunning Mr. Crawford in a desperate search for the truth and the answer to one burning question: How is this guy getting away with murder?Anthony Hopkins plays a brilliant, pathologically serene killer outwitting the good guys at every turn and taking a shine to a twentysomething law enforcer who canât conceal a rural accent and rugged origins. Could it be...? No, not The Silence of the Lambs, but an original mystery, Fracture, which plays a little like Lambs as an episode of Columbo, minus Columbo. Which means the film tells us fro! m the get-go that Hopkinsâ character, a wealthy engineer, sh! oots his philandering wife (Embeth Davidtz) and leaves her in a vegetative state. From there, it should be a simple matter for young, assistant District Attorney Willy Beachum (Ryan Gosling) to nail Crawford, who provides a full confession and even eschews counsel. Thatâs good for Beachum, a slick winner with a vague background of deprivation, rapidly on his way out of public service after attracting the attention of a deep-pocket, private firm. What he doesnât know, however, is that Crawford has masterminded more than vengeance against his wife, and that the stateâs case against him is full of pre-arranged holes and a huge time-bomb that will send Beachum scrambling to keep the pieces together. The story, conceived and co-scripted by Daniel Pyne (Doc Hollywood), goes down easily with a minimum of blood and violence, and should easily appeal to mystery buffs as well as old fans of Hopkins and new admirers of Oscar nominee Gosling (Half Nelson). The latter h! olds his own in multiple, two-character scenes with the masterful portrayer of Hannibal Lecter, pacing Beachumâs reactions to Crawfordâs polite provocations so everything spills onto his youthful face: torn loyalties, confusion, gullibility. Director Gregory Hoblit (Hartâs War), still best-known for decades of distinguished television work (NYPD Blue), brings the necessary intimacy to make the starsâ chemistry work effectively. His noirish atmosphere is a little over the top, sometimes pushing the audience to a level of expectation that the film isnât really ready to deliver, but this, overall, is an enjoyable work. --Tom Keogh

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- Decorative Art Flag
- Toland Flags are made from durable 600 denier polyester
- Heat sublimated process permanently dyes flag fabric for long-lasting color
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Two years ago, on the same day but miles apart, Finn Darby lost two of the most important people in his life: his wife Lorena, struck by lightning on the banks of the Chattahoochee River, and his abusive, alcoholic grandfather, Tom Darby, creator of the long-running newspaper comic strip Toy Shop. Against his grandfather's dying wish, Finn has resurrected Toy Shop, adding new characters, and the strip is more popular than ever, bringing in fan letters, merchandising ! deals, and talk of TV specials. Finn has even started dating again.When a terrorist attack decimates Atlanta, killing half a million souls, Finn begins blurting things in a strange voice beyond his control. The voice says things only his grandfather could know. Countless other residents of Atlanta are suffering a similar bizarre affliction. Is it mass hysteria, or have the dead returned to possess the living? Finn soon realizes he has a hitcher within his skin... his grandfather. And Grandpa isn't terribly happy about the changes Finn has been making to Toy Shop. Together with a pair of possessed friends, an aging rock star, and a waitress, Finn races against time to find a way to send the dead back to Deadland... or die trying!World famous actor Sam Neil and rap legend Chuck D rub shoulders with writers like JP Donleavy and Carmel Bird. Physicists, business leaders, publishers, political activists, soldiers, poets, athletes and comic book creators are brought together by ! their common experience of hitching a ride sometime in the pas! t.
Since the '60s and '70s - the heyday of hitching - people have thumbed rides worldwide. Money never changes hands, but all manner of social transactions take place. These tales will open your eyes and take you back - of forward. Just when you think you've heard it all, turn the page. You'll discover you haven't!World famous actor Sam Neil and rap legend Chuck D rub shoulders with writers like JP Donleavy and Carmel Bird. Physicists, business leaders, publishers, political activists, soldiers, poets, athletes and comic book creators are brought together by their common experience of hitching a ride sometime in the past.
Since the '60s and '70s - the heyday of hitching - people have thumbed rides worldwide. Money never changes hands, but all manner of social transactions take place. These tales will open your eyes and take you back - of forward. Just when you think you've heard it all, turn the page. You'll discover you haven't!HITCHER - DVD MovieSteven Spielberg'! s first feature film, 1971's
Duel, is set on a desert highway. It stars Dennis Weaver as a driver being pursued by a menacing truck, which is following him with all the vengeance of the ancient furies. In this spiritual update from 1984, C. Thomas Howell plays a guy taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath, and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way,
The Hitcher is great fun, kinda scary, and teetering on the brink of "must see."
--Andy SpletzerSteven Spielberg's ! first feature film, 1971's
Duel, is set on a desert hig! hway. It stars Dennis Weaver as a driver being pursued by a menacing truck, which is following him with all the vengeance of the ancient furies. In this spiritual update from 1984, C. Thomas Howell plays a guy taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath, and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way,
The Hitcher is great fun, kinda scary, and teetering on the brink of "must see."
--Andy SpletzerThe authority in garden flags, Toland Home Garden offers flags of the finest quality. There ! is something for everyone in our sought-after line of original fine art flags. Discover the wide range of seasonal, patriotic, holiday and renowned everyday designs. The quality of Toland Home Garden keeps the customers returning for more.

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- Design House: Estee Lauder
- Fragrance Notes: blooming fresh cut flowers, rose, jasmine, and carnation. Accompanied by fruity notes of fresh citrus, melons, peaches and plum
- Recommended Use: casual
BEAUTIFUL by Estee Lauder for WOMEN EAU DE PARFUM SPRAY 1 OZ (UNBOXED) Launched by the design house of Estee Lauder in 1985, BEAUTIFUL by Estee Lauder possesses a blend of blooming fresh cut flowers, rose, jasmine, and carnation. Accompanied by fruity notes of fresh citrus, melons, peaches and plum. It is recommended for casual wear.

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- Hank Ketcham's popular comic-strip kid comes to uproarious screen life in Dennis the Menace, from writer/producer John Hughes, the creative force behind the family mega-hits Home Alone and Beethoven.Young Mason Gamble is all-boy, all-menace, all-Dennis right down to his slingshot and dog, Ruff. Format: DVD MOVIE Genre:Â CHILDREN Rating:Â G Age:Â 085391200239 UPC:Â 085391
A 5-star hotel turns into a 3-ring circus when an orangutan named Duston checks in. Jason Alexander ("Seinfeld"), Faye Dunaway ("Network") and Eric Lloyd ("The Santa Clause") star in this hilarious romp about an orangutan who gets loose in the elegant Majestic Hotel on the eve of the social event of the season. Dodging his jewel-thieving owner and the frantic hotel manager, Dunston is befriended by the manager's ten-year old son, Kyle, who is determined to help his new friend escape. Filled with laughter and comic high-jin! ks, DUNSTON CHECKS IN is "a steady stream of giggles for those who get a kick out of monkey business." (Henry Sheehan, Orange County Register).High society gets a dose of monkey business in this family-friendly bit of simian slapstick. Less foul and more fun than Clyde from the Clint Eastwood comedies, Dunston is the practical-joking orangutan partner of foppish jewel thief Rupert Everett. Making his escape in a five-star New York hotel, Dunston lands in the protective care of 10-year-old Eric Lloyd, the high-spirited son of harried hotel manager Jason Alexander, and together they turn the snooty social event of the year into a zoo. Faye Dunaway is Alexander's overbearing boss just aching for a comic comeuppance, and Paul "Pee-wee Herman" Reubens dons a mauve tuxedo as Buck La Farge, animal-control specialist. Would you believe the monkey upstages them all? Though hardly the smartest comedy around, this is a cute, cuddly little barrel full of monkeyshines just made for the ! younger crowd. Rated PG for one (yelled) word.
--Sean Axmak! erA 5-star hotel turns into a 3-ring circus when an orangutan named Duston checks in. Jason Alexander ("Seinfeld"), Faye Dunaway ("Network") and Eric Lloyd ("The Santa Clause") star in this hilarious romp about an orangutan who gets loose in the elegant Majestic Hotel on the eve of the social event of the season. Dodging his jewel-thieving owner and the frantic hotel manager, Dunston is befriended by the manager's ten-year old son, Kyle, who is determined to help his new friend escape. Filled with laughter and comic high-jinks, DUNSTON CHECKS IN is "a steady stream of giggles for those who get a kick out of monkey business." (Henry Sheehan, Orange County Register).High society gets a dose of monkey business in this family-friendly bit of simian slapstick. Less foul and more fun than Clyde from the Clint Eastwood comedies, Dunston is the practical-joking orangutan partner of foppish jewel thief Rupert Everett. Making his escape in a five-star New York hotel, Dunston lands in t! he protective care of 10-year-old Eric Lloyd, the high-spirited son of harried hotel manager Jason Alexander, and together they turn the snooty social event of the year into a zoo. Faye Dunaway is Alexander's overbearing boss just aching for a comic comeuppance, and Paul "Pee-wee Herman" Reubens dons a mauve tuxedo as Buck La Farge, animal-control specialist. Would you believe the monkey upstages them all? Though hardly the smartest comedy around, this is a cute, cuddly little barrel full of monkeyshines just made for the younger crowd. Rated PG for one (yelled) word.
--Sean AxmakerA five star hotel turns into a 3-ring circus when an orangutan named Dunston checks in. Jason Alexander and Faye Dunaway star in this hilarious romp about an orangutan who gets loose in the elegant Majestic Hotel on the eve of the social event of the season. Dodging his jewel-thieving owner and the frantic hotel manager, Dunston is befriended by the manager's ten-year old son, Kyle, who is! determined to help his new friend escape. Filled with laughte! r and co mic high-jinks, "Dunston Checks In" is "a steady stream of giggles for those who get a kick out of monkey business." (Henry Sheehan, Orange County Register) High society gets a dose of monkey business in this family-friendly bit of simian slapstick. Less foul and more fun than Clyde from the Clint Eastwood comedies, Dunston is the practical-joking orangutan partner of foppish jewel thief Rupert Everett. Making his escape in a five-star New York hotel, Dunston lands in the protective care of 10-year-old Eric Lloyd, the high-spirited son of harried hotel manager Jason Alexander, and together they turn the snooty social event of the year into a zoo. Faye Dunaway is Alexander's overbearing boss just aching for a comic comeuppance, and Paul "Pee-wee Herman" Reubens dons a mauve tuxedo as Buck La Farge, animal-control specialist. Would you believe the monkey upstages them all? Though hardly the smartest comedy around, this is a cute, cuddly little barrel full of monkeyshines just ! made for the younger crowd. Rated PG for one (yelled) word.
--Sean AxmakerDUNSTON CHECKS IN/SPACE CHIMPS - DVD MovieHigh society gets a dose of monkey business in this family-friendly bit of simian slapstick. Less foul and more fun than Clyde from the Clint Eastwood comedies, Dunston is the practical-joking orangutan partner of foppish jewel thief Rupert Everett. Making his escape in a five-star New York hotel, Dunston lands in the protective care of 10-year-old Eric Lloyd, the high-spirited son of harried hotel manager Jason Alexander, and together they turn the snooty social event of the year into a zoo. Faye Dunaway is Alexander's overbearing boss just aching for a comic comeuppance, and Paul "Pee-wee Herman" Reubens dons a mauve tuxedo as Buck La Farge, animal-control specialist. Would you believe the monkey upstages them all? Though hardly the smartest comedy around, this is a cute, cuddly little barrel full of monkeyshines just made for the younger crowd. Rated! PG for one (yelled) word.
--Sean AxmakerHank Ketcham's! popular comic-strip kid comes to uproarious screen life in Dennis the Menace, from writer/producer John Hughes, the creative force behind the family mega-hits Home Alone and Beethoven. Young Mason Gamble is all-boy, all-menace, all-Dennis right down to his slingshot and dog, Ruff.

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- DVD Details: Actors: Cecile De France, Maiwenn Le Besco, Philippe Nahon, Franck Khalfoun, Andrei Finti
- Directors: Alexandre Aja
- Format: Closed-captioned, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, NTSC
- Aspect Ratio: 1.33:1; Number of discs: 1; Studio: Lions Gate
- DVD Release Date: October 11, 2005 ; Run Time: 91 minutes
HIGH TENSION - DVD MovieHome to some of the world's best food and fashion, the French also have the wonderful habit of producing some of the world's best movies. With
High Tension, French director Alexandre Aja offers up a bloody buffet of terror; a violent concoction of style over substance, with a bloody French twist. Two college girlfriends, Maria and Alex, take a weekend to study at the secluded country home of Alex's parents. Shortly after their arrival, a mysterious killer appears, and things take a shockingly terribl! e turn for the worse. As the horror and body count rises, Maria and Alex find themselves fighting for their lives, and it's revealed that things are not exactly as they seem. Essentially a one-act cat-and-mouse affair,
High Tension is an explosive bloody thrill ride that rarely lets up. Oozing style in every color-saturated frame and boasting some intense performances, Aja mainly succeeds in sustaining an intense momentum throughout the film. The plot occasionally suffers from a thin, flimsy storyline, and the abundant graphic scenes of violence will either thrill and delight, or simply disgust. Nonetheless, this adrenalin-fueled addition to the genre gives the American slasher flick a real run for its money.
High Tension is high-art horror, and comes highly recommended.
--Matt WoldHIGH TENSION is an intense game of murder and survival, which will rattle viewers to their core. Marie and Alexia are classmates and best friends who go to Alexiaâ! s family home in the French countryside hoping to prepare for! their c ollege exams in peace and quiet. In the dead of night, a psychotic killer breaks into the house, and with the first swing of his knife, the girlâs idyllic weekend turns into an endless nightmare. When Alexia is captured and thrown into a van, Marie attempts to rescue her friend from the evil murderer. High Tension truly brings slasher films back to their roots with this gore-addled film, packed with blood and guts.For much of its running time,
High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled
Switchblade Romance in England, and trimmed of its most excessive gore to avoid an NC-17 rating during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a
Texas Chainsaw wanna-be, which isn't s! uch a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed,
High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of
Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look.
--Jeff ShannonHIGH TENSION - DVD MovieFor much of its running time,
High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled
Switchblade Romance in England, a! nd trimmed of its most excessive gore to avoid an NC-17 rating! during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a
Texas Chainsaw wanna-be, which isn't such a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed,
High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of
Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its ! French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look.
--Jeff Shannon