Disaster! The Movie (Unrated Edition)

• In the satirical spirit of ROBOT CHICKEN and TEAM AMERICA, DISASTER! is a Claymation spoof of action blockbusters with bloated budgets. When scientists discover that an asteroid is on a collision course with earth, it's up to Harry Bottoms, Sandy Mellons, and V.D. Johnson to save the world. Featuring the voices of Motley Crue, DISASTER! takes aim at movies like ARMAGEDDON by using lots of scatolog

Genre: Comedy
Rating: UN
Release Date: 6-JAN-2009
Media Type: DVDEven within the subgenre of grab-bag comedy, Disaster Movie sets a new bar for free-associative lunacy. To what degree there is a plot, it's vaguely stolen from Cloverfield: A handful of twentysomethings try to rescue someone in a city assaulted by an incomprehensible threat--in this case, falling asteroids. But that's just a thread on which to string a long and increasingly te! dious series of gestures towards recent movies (ranging from High School Musical to Enchanted to Sex and the City to Kung Fu Panda) and pop culture figures (Amy Winehouse to Flavor Flav to Dr. Phil to, of course, perpetual punching-bag Michael Jackson). No one over 30 will recognize more than a fraction of the movie's references, but the movie's bigger problem is that there are hardly any actual jokes--the filmmakers seem to think that simply alluding to Hancock or Jumper is funny in and of itself... and it just isn't. Disaster Movie will probably appeal to its primary audience of high-school students and repressed frat boys, for whom the mere mention of homosexuality prompts jittery laughter and who find generically pretty girls and studly boys in tight clothing titillating. It's a wasted opportunity; there are moments that, through sheer incompetence and desperation, suggest a surreal stream-of-consciousness. ! A filmmaker like Luis Bunuel or Federico Fellini could have tu! rned suc h raw matter into a satirical aria that would genuinely critique a culture that worships Paris Hilton. Instead, we get this. Featuring, as ever, Carmen Electra.--Bret Fetzer


Studio: Lions Gate Home Ent. Release Date: 01/06/2009 Run time: 88 minutes Rating: UrDISASTER MOVIE - DVD MovieSUPERHERO MOVIE (EXTENDED EDITION) - DVD MovieNo Description Available.
Genre: Feature Film-Comedy
Rating: R
Release Date: 6-FEB-2007
Media Type: DVD

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The Diving Bell and the Butterfly: A Memoir of Life in Death

• ISBN13: 9780375701214
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem.  After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same! way, he was able eventually to compose this extraordinary book.

By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him.

Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

This book is a lasting testament to his life.We've all got our idiosyncrasies when it comes to writing--a special chair we have to sit in, a certain kind of yellow paper we absolute! ly must use. To create this tremendously affecting memoir, Je! an-Domin ique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."

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The Godzilla Collection

• This is the ultimate Godzilla Movie Collection. Includes 7 Movies and over 20 Hours of content and bonus features! Gojira / King of the Monsters (2 disc set), Godzilla, King of the Monsters, Godzilla Raids Again, Mothra vs. Godzilla, Ghidorah, The Three-Headed Monster, Invasion of Astro Monster, Terror of Mechagodzilla Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: NR Age:&nbs

Ishiro Honda’s Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama made in Japan at a time when the country was still reeling from nuclear attack and H-bomb testing. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning more than twenty sequels and spinoffs. This first thrilling, tactile spectacle continues to be a cult phenomenon; here, we present the ! original, 1954 Japanese version, along with Godzilla: King of the Monsters!, the 1956 American reworking starring Raymond Burr (Rear Window).Gojira / Godzilla, King of the Monsters

The first of the Godzilla movies, and the most somber and serious in tone, Gojiro was originally a 98-minute Japanese horror film, until a U.S. company bought the rights and reissued the film at 79 minutes, replacing sequences involving a Japanese reporter with new inserts of a dour, pipe-smoking Raymond Burr. Both versions appear together for the first time in this release from Sony Wonder.

Godzilla Raids Again

Godzilla is back, and this time he’s not alone! Godzilla and the spiny monster Anguirus are in a heated battle on a small Japanese island. As the threat of destruction mounts, two Japanese heroes muster their courage for the final showdown with Godzilla.

Mothra vs. Godzilla

After a fierce typhoon, Mothra’s gigantic egg washes a! shore Japan. Meanwhile Godzilla reawakens and tramples across ! the land , heading straight for the big egg. Can Mothra save her offspring from Godzilla? Will Japan survive this epic monster battle?

Ghidorah: The Three-Headed Monster

Ghidorah, the Three-Headed Monster -- A prophetess from Venus foretells cataclysmic disasters! Godzilla, Mothra and Rodan reappear in Japan, wreaking havoc! A giant meteor crashes into the mountains and the three-headed, fire-spitting space dragon King Ghidorah emerges! As the Venusian's prophecies come true, assassins from a tiny Asian kingdom hunt her down, while the Earth monsters must decide whether to settle their petty differences and join forces against the extraterrestrial enemy!

Invasion of Astro-Monster

Invasion of Astro-Monster/Godzilla vs. Monster Zero -- Aliens from Planet X borrow our monsters for a little extermination project, but they've got something else up their sleeves: world domination! Using mind-control technology, these vinyl-and-sunglasses wearing spacemen t! urn Godzilla, Rodan and King Ghidorah loose in Japan, demanding Earth's surrender! It's up to American astronaut F. Glenn, his galaxy-trotting buddy Fuji, and nerdy inventor Tetsuo to break the aliens' hold on the monsters and save our planet from certain doom.

Terror of Mechagodzilla

Evil spacemen from the Black Hole are plotting to flatten Tokyo and build their own utopian city. Aided by deranged scientist Dr. Mafune, the aliens unleash a rebuilt Mechagodzilla and the monster Titanosaurus to do their evil bidding, until Godzilla surfaces to defend his homeland and the earth-shattering destruction begins. Mothra vs. Godzilla

More visually splendid and imaginatively written than the other Godzilla sequels, this (the fourth in the series) starts when Mothra's gigantic egg washes ashore in Japan, having been dislodged from Mothra Island by a hurricane. Two tiny twin girls (sometimes singing like dual-diminutive Dorothy Lamours) from the island come ! to plead for the return of the egg by the greedy business guys! who bou ght it for a tourist attraction, but to no avail. Radiation from nuclear testing revives Godzilla from the earth, who proceeds to threaten the egg and the cities, unless Mothra and his larvae hatched from the egg can stop him. The battle sequences between Mothra and Godzilla, and between Godzilla and the larvae, are spectacularly vivid and colorful. --Jim Gay

Terror of Mechagodzilla

In 1974, Inoshiro Honda, the original and best Godzilla director, returned after a five-year absence to direct this 20th-anniversary commemoration to Gojira (the original Japanese name for Godzilla, before the West Anglicized it). This is the fifteenth film in the Godzilla series, and the eleventh by director Honda. Yet again the aliens (from the third planet of the black hole, whatever that means; they don't really provide directions) stage a takeover of Earth, this time with the aid of Mechagodzilla and Titanosaurus (they're just what they sound like). They owe the mad sc! ientist Mafuni for the use of Titanosaurus, who in turn owes the aliens for resurrecting his daughter, Katsura, badly hurt in an accident, albeit now as a cyborg with the ability to control their two mecha-monsters. It shapes up as the fight of the century when Godzilla is pressed into service for our side. The battling behemoths afford the most dramatic and vivid fight scenes in all of Godzilladom in this one. Let's hope the aliens don't win; they're so smug. --Jim Gay

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