Saturday, November 5, 2011

Qualatex 260 Balloons (100/bag) Assorted Pink, Pastel Blue, White, Onyx Black, Quartz Purple, Sapphire Blue, Emerald Green, Ruby Red, Citrine Yellow and Mandarin Orange

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This up-to-date and comprehensive electronic book on two CD-ROMs presents an incredible and totally revised collection of important documents, publications, and videos about the NASA Wallops Flight Facility in Virginia, NASA Sounding rockets, suborbital and small orbital missions, balloons, Black Brant, Terrier, and Aerobee rockets, and much more. The NASA/Goddard Space Flight Center (GSFC) operates the WFF located on the Eastern Shore of Virginia. NASA supports space and Earth science research and aerospace technology development through the use of rockets, balloons, aircraft, and small spacecraft. In support of these activities, Wallops offers a variety of services and operates a number of unique research facilities, including a launch range, research airport, scientific laboratories, and manufacturing and testing facilities. Founded in 1945, Wallops was est! ablished by the National Advisory Council on Aeronautics (NACA) as a test site for aeronautics research projects. During the 1940's and 1950's, prior to the era of high-speed wind tunnels, Wallops activities focused on providing operational testing for new aerodynamic configurations aboard rockets. During the 1960's, Wallops focused on support for numerous flight projects leading to human exploration of space, such as Little Joe, which tested the ejection system for the Mercury capsule. From the 1960's through the 1980's, Wallops supported the launch of more than 40 Scout rockets. During the 1990's, Wallops evolved its mission beyond operational support to include project management and implementation of various NASA space and Earth science activities aboard suborbital and small orbital carriers. During its history, Wallops has conducted more than 16,000 launches. Documents include descriptions and flight performance characteristics for sounding rockets and special proje! cts launch vehicles: BLACK BRANT V, TERRIER-MALEMUTE, IMPROVED! ORION, BLACK BRANT X, BLACK BRANT IX, BLACK BRANT XI, BLACK BRANT XII, TERRIER-IMPROVED ORION, TERRIER LYNX, TERRIER ORIOLE. Launch ranges in the sounding rocket program (in addition to WFF) include the U.S. Army White Sands Missile Range, Poker Flat Research Range, Andoya Rocket Range in Norway, and Esrange in Sweden. Official program documents in this collection include: 810-HB-SRP, Sounding Rocket Program Handbook; 840-HDBK-0001, Wallops Flight Facility Range User's Handbook; 453-GNUG, Ground Network Users' Guide; 840-HDBK-0002, Wallops Flight Facility Uninhabited Aerial Vehicle (UAV) User's Handbook; RSM-2002, Range Safety Manual for Goddard Space Flight Center/Wallops Flight Facility; 802-HDBK-0002, Wallops Flight Facility Geophysical Observatory Handbook; Wallops Flight Facility Frequency Utilization Management Handbook; and others.This up-to-date and comprehensive electronic book on two CD-ROMs presents an incredible and totally revised collection of important documents, ! publications, and videos about the NASA Wallops Flight Facility in Virginia, NASA Sounding rockets, suborbital and small orbital missions, balloons, Black Brant, Terrier, and Aerobee rockets, and much more. The NASA/Goddard Space Flight Center (GSFC) operates the WFF located on the Eastern Shore of Virginia. NASA supports space and Earth science research and aerospace technology development through the use of rockets, balloons, aircraft, and small spacecraft. In support of these activities, Wallops offers a variety of services and operates a number of unique research facilities, including a launch range, research airport, scientific laboratories, and manufacturing and testing facilities. Founded in 1945, Wallops was established by the National Advisory Council on Aeronautics (NACA) as a test site for aeronautics research projects. During the 1940's and 1950's, prior to the era of high-speed wind tunnels, Wallops activities focused on providing operational testing for new ae! rodynamic configurations aboard rockets. During the 1960's, Wa! llops fo cused on support for numerous flight projects leading to human exploration of space, such as Little Joe, which tested the ejection system for the Mercury capsule. From the 1960's through the 1980's, Wallops supported the launch of more than 40 Scout rockets. During the 1990's, Wallops evolved its mission beyond operational support to include project management and implementation of various NASA space and Earth science activities aboard suborbital and small orbital carriers. During its history, Wallops has conducted more than 16,000 launches. Documents include descriptions and flight performance characteristics for sounding rockets and special projects launch vehicles: BLACK BRANT V, TERRIER-MALEMUTE, IMPROVED ORION, BLACK BRANT X, BLACK BRANT IX, BLACK BRANT XI, BLACK BRANT XII, TERRIER-IMPROVED ORION, TERRIER LYNX, TERRIER ORIOLE. Launch ranges in the sounding rocket program (in addition to WFF) include the U.S. Army White Sands Missile Range, Poker Flat Research Range, ! Andoya Rocket Range in Norway, and Esrange in Sweden. Official program documents in this collection include: 810-HB-SRP, Sounding Rocket Program Handbook; 840-HDBK-0001, Wallops Flight Facility Range User's Handbook; 453-GNUG, Ground Network Users' Guide; 840-HDBK-0002, Wallops Flight Facility Uninhabited Aerial Vehicle (UAV) User's Handbook; RSM-2002, Range Safety Manual for Goddard Space Flight Center/Wallops Flight Facility; 802-HDBK-0002, Wallops Flight Facility Geophysical Observatory Handbook; Wallops Flight Facility Frequency Utilization Management Handbook; and others.100 piece assortment of the best quality twisting balloons, approximately 2 inches in diameter and 60 inches in length when fully inflated. These balloons withstand rough twisting, which makes them great for learning because they won't break so easily. Most colors have a see-through 'jewel' tone. This "Traditional" assortment includes Pink, Pale Blue, White, Onyx Black, Quartz Purple, Sapphire Blue,! Emerald Green, Ruby Red, Citrine Yellow, and Mandarin Orange.!

Ed Wood (Special Edition)

  • From Tim Burton, acclaimed director of BIG FISH, EDWARD SCISSORHANDS, and BATMAN, and the producer of THE NIGHTMARE BEFORE CHRISTMAS, comes the hilarious, true-life story of the wackiest filmmaker in Hollywood history, Ed Wood! Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, CHOCOLAT, EDWARD SCISSORHANDS) stars as the high-spirited movieman who refuses to let unfinished scenes
From Tim Burton, acclaimed director of BIG FISH, EDWARD SCISSORHANDS, and BATMAN, and the producer of THE NIGHTMARE BEFORE CHRISTMAS, comes the hilarious, true-life story of the wackiest filmmaker in Hollywood history, Ed Wood! Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, CHOCOLAT, EDWARD SCISSORHANDS) stars as the high-spirited movieman who refuses to let unfinished scenes, terrible reviews, and hostile studio executives derail his big-screen dreams. With an oddball collecti! on of showbiz misfits, Ed takes the art of bad moviemaking to an all-time low! The all-star cast features Bill Murray (LOST IN TRANSLATION, THE ROYAL TENENBAUMS), Sarah Jessica Parker (TV's SEX AND THE CITY), Patricia Arquette (STIGMATA, LITTLE NICKY), and an Academy Award(R)-winning performance by Martin Landau (Best Supporting Actor, 1994) as Bela Lugosi. Hailed by critics everywhere, this laugh-packed comedy hit is sure to entertain everyone!Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in ! black and white, just like Wood's creations, this stylized, wi! tty prod uction captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman

Ghost Dog - Way of Samurai - Whitaker Jarmusch 11x17 Poster

  • 11x17 INCHES
A black hitman goes by the name Ghost Dog and lives by the code of the samurai.
Genre: Feature Film Urban Action
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated cod! e of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street cl! othes, and oddly graceful gait--but then Ghost Dog: The Way! of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-dr! iven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerIndie film director Jim Jarmusch always works an unexpected angle, whether it's offbeat humor, a nonlinear narrative, or specific and idiosyncratic characterization. For his latest film--the story of a ghetto hit man who lives by the codes of the Hagakure, an 18th-century Japanese warrior text--Jarmusch enlisted RZA, a founding member of the Wu-Tang Clan. Instead of imagistic tone poems that serve to reinforce a certain mood, à la Neil Young on Dead Man, RZA offers active gunplay that propels the film's narrative. The 11 tracks serve as an RZA-produce! r showcase, standing as independent pieces, regardless of the ! movie it self. Tracks vary from the subdued "4 Sho Sho," which interpolates Forest Whitaker's interior monologue with RZA's street visions, to the stuttering rhythms of Kool G. Rap's "Cakes." Tekitha's '70s disco groove for "Walkin' Through the Darkness" offers unexpected sensuality, while "The Man" by Masta Killah sets things back on the gangsta tip. --Rob O'Connor Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the! film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker

Ballistic: Ecks vs Sever

  • Inspired by the Warner Bros. and Franchise Pictures movie "Ballistic: Ecks Vs Sever" starring Antonio Banderas,Lucy Liu and Ray Park
  • Over 22 single player missions, playing as former FBI agent Ecks or rogue NSA agent Sever;Three different modes of Multiplayer Multi Pak action including Death Match, Assassination, and Bomb Ki
  • Explosive, destructible environments. Cause real destruction in real settings
  • Explore bigger and more realistic areas in locations in the United States and the rest of the world
  • ounterstrike style hostage rescue missions. Fight your way into situations and then protect the innocent;Vastly improved enemy AI reacting to sound, sight and threatening situations;A massive array of realistic weapons including hand-to-hand items, pistols, shotguns, assault rifles, sniper rifle, and grenades
This is a story of two spies, who are lifelong adversarie! s, engaged in a cat-and-mouse hunt. Jonathan Ecks (Banderas) is an FBI agent hunting the other, Sever (Liu) a rogue NSA agent. What they learn, however, while trying to kill each other... is that they might be on the same side, and faced with a threat greater to each other than themselves.If you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United against a common enemy, Ecks and Sever lay wast! e to half of Vancouver (the film's budget-conscious location),! and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonIf you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United against a common enemy, Ecks and Sever lay waste to half of V! ancouver (the film's budget-conscious location), and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonIf you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United agai! nst a common enemy, Ecks and Sever lay waste to half of Vancou! ver (the film's budget-conscious location), and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonThis digital document is an article from Semana, published by Spanish Publications, Inc. on September 20, 2002. The length of the article is 515 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Buenos y malos se enfrentan.(Ballistic: Ecks vs. Sever)(TT: Good and bad confront.)(TA: Ballistic: Ecks vs. Sever)(Reseña)
Publication: Semana (Magazine/Journal)
Date: September! 20, 2002
Publisher: Spanish Publications, Inc.
Volume: 8 Issue: 499 Page: 30(1)

Article Type: Reseña

Distributed by Thomson GaleThe World has changed. Freedom has been compromised. Terror attacks on innocent people are on the increase. Ex-FBI agent Ecks and Ex-NSA operative Sever are back in another action filled game that advances the boundaries of First Person Shooters on the Game Boy Advance. Whilst Ecks follows up leads on home soil, Sever takes the battle to the front, infiltrating suspected sleeper groups based overseas and closing in on their chain of supply. Only Ecks and Sever can save the world from certain nuclear holocaust. Have you got what it takes to help them? Go Global. Go Ballistic.

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Try as he might, Cliff Starkey just can’t keep out of trouble. With a dead-end career, there’s not much that makes him want to get out of bed in the mornings… except his one passion: Lawn Bowls. Almost as soon as he learned how to walk, he displayed a genius for the sport. To the dismay of the elderly, uptight bowls fraternity in town, Cliff honed his mastery of the game alone, playing by no one’s rules but his own. Now, the time has come for his skill to be recognized, and Rick Schwartz (Vince Vaughn), an American sports agent, is going to ensure that this ‘Bad Boy’ of bowls gets the spotlight he deserves. Cliff’s rock ‘n’ roll attitude and army of scre! aming female fans soon take England by storm, and he finds himself on the way to super-stardom! But can he take on the stuffy, business-like attitude of the Bowls Association and his senior arch-rival, Ray Speight? Starkey is only one match away from super-stardom as he joins forces with Ray in a ball-busting championship showdown!For 60 years professional baseball was a segregated sport. Even today, 44 years after Jackie Robinson broke the color barrier, most of the great black players of the Negro Leagues are forgotten or ignored. With this book, Holway sets out to rectify that. Features 25 tales of outstanding players."We were lucky to make it out of Shreveport alive on that early spring day in 1917.

"At noon, before the first game of our doubleheader, my All Nations team was taking batting practice, and as usual, I was studying the crowd. The people fascinated me: all those life stories that I’d never get a chance to hear, like that old colored man smiling! and singing to himself next to his stern, frowning wife in he! r flower ed hat, or the two white women with their cigarettes and exposed ankles. I was amazed by it all, though we never stayed in a place long enough to learn about anyone or anything more than the game and its players."

A story of the first truly integrated baseball team, decades before Jackie Robinson, set during the early years of World War I. Magic, miracles, and more...

"A Miracle in Shreveport" was first published in Electric Velocipede, May 2007, and was later reprinted in The All Nations Team. It also garnered an Honorable Mention in the Year’s Best Science Fiction vol. 25."We were lucky to make it out of Shreveport alive on that early spring day in 1917.

"At noon, before the first game of our doubleheader, my All Nations team was taking batting practice, and as usual, I was studying the crowd. The people fascinated me: all those life stories that I’d never get a chance to hear, like that old colored man smiling and singing to himself next ! to his stern, frowning wife in her flowered hat, or the two white women with their cigarettes and exposed ankles. I was amazed by it all, though we never stayed in a place long enough to learn about anyone or anything more than the game and its players."

A story of the first truly integrated baseball team, decades before Jackie Robinson, set during the early years of World War I. Magic, miracles, and more...

"A Miracle in Shreveport" was first published in Electric Velocipede, May 2007, and was later reprinted in The All Nations Team. It also garnered an Honorable Mention in the Year’s Best Science Fiction vol. 25.Custom Aluminum Street Sign. Made of aluminum and high quality 5-7 year outdoor vinyl lettering and graphics this sign is 4 x 18 inches. Made to last for years outdoors the sign is nice enough to display indoors. Want the 6"x24" size check out our other listings. Cannot find what your looking for just contact us we''''ll get it listed.

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