White Alligator Plush Toy 36" Long

• Nicely Detailed
• Blue Eyes
• 36" Long
• Soft Squeezable Piece

An intense, all-star action-thriller, ALBINO ALLIGATOR is directed by Academy Award(R)-winner Kevin Spacey (1999 Best Actor -- AMERICAN BEAUTY). Matt Dillon (THERE'S SOMETHING ABOUT MARY), and Emmy-winner Gary Sinise (1998 Best Actor In A Miniseries Or Movie, GEORGE WALLACE) play brothers Dova and Milo ... a couple of small-time crooks suddenly in way over their heads! When a holdup goes terribly wrong, the robbers flee to a local bar, desperately taking everyone inside hostage! With nowhere to run and time running out, it's a deadly situation where every second counts! Also starring Golden Globe-winner Faye Dunaway (1999 Best Supporting Actress, GIA) -- expect unexpected twists and turns, all leading to an incredibly explosive climax!Actor Kevin Spacey made his directorial debut in this uneven crime thriller tha! t has the claustrophobic feel of a play. Matt Dillon, Gary Sinise, and William Fichtner play a trio of robbers who have just pulled a job gone wrong. On the run from the cops, they hide out in a basement bar, where they try to figure out their next move. There's a certain amount of urgency, however, because Sinise, the brains of the outfit, is badly wounded--which means that Fichtner, the group psycho, is allowed to run wild, terrorizing the barflies unlucky enough to be their hostages. As the cops swarm outside the bar--thinking these three are major criminals rather than small potatoes--tensions mount, mostly through misunderstanding. But it's all a lot of talk, not nearly enough of it interesting, that pushes the movie slowly to its inevitable conclusion. --Marshall Fine Surface Washable

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Close to Home

• Inia divided city, friendship isitheir last line of defense. In the nation of Israel, military service is compulsory for all citizens. Now an award-winning drama offers an in-depth look at young women's lives in the service. Dutiful Mirit (Naama Schender) is assigned to a street patrol with the rebellious Smadar (Smadar Sayar). Plunged into the simmering tensions of Jerusalem, they find the

Bizarre, deranged, clever, and outrageously amusing--that's Close to Home. From the guy who keeps a Just Married sign on the back of his car to prevent getting speeding tickets, to the mom who installs a food court in the kitchen to keep the kids from whining about what's being served for dinner, to the students who are shrink-wrapped due to overcrowding at schools, John McPherson's quirky characters combined with his warped sense of humor help make the cartoon and the Close to Home 2012 Day-t! o-Day Calendar one of a kind. As an added bonus, each weekend page will feature an extra Close to Home cartoon on the back.

Bizarre, deranged, clever, and outrageously amusing--that's Close to Home. From the guy who keeps a Just Married sign on the back of his car to prevent getting speeding tickets, to the mom who installs a food court in the kitchen to keep the kids from whining about what's being served for dinner, to the students who are shrink-wrapped due to overcrowding at schools, John McPherson's quirky characters combined with his warped sense of humor help make the cartoon and the Close to Home 2012 Day-to-Day Calendar one of a kind. As an added bonus, each weekend page will feature an extra Close to Home cartoon on the back.

2011 debut full length from the Cincinnati, OH band. Despite a few struggles at the start, lately things have been constantly looking up for Close to Home, thanks to their mantra that is now the album ! name. Heading into recording, the band hooked up with Tom Denn! ey (form erly of A Day To Remember) to record demos, and the group instantly clicked. Denney signed on to produce. Andrew Wade (A Day To Remember, The Word Alive) was brought in to mix the album, and shortly after Close to Home signed to Artery Recordings. "Having this team together was literally a dream come true for us," said guitarist Josh Wells. It also helped the band create and develop their vision for the album, with Wells adding "It's basically the summary of our lives and who we are in pursuit of our dreams."By the New York Times bestselling author of the Do It Yourself home renovation mysteries...

4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Property, and Contract Pending, by bestselling author Jenna Bennett AKA Jennie Bentley.

SYNOPSIS:

Sometimes, trouble hits too close to home.

Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet.! And while it's a circumstance that should make everyone happy - now she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't sign on for fatherhood.

Add in the murder of Savannah's sister-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets in over her head, Rafe's not there to save the day.

ALSO IN THIS SERIES:

A Cutthroat Business (May 2011)
Hot Property (June 2011)
Contract Pending (July 2011)
Close to Home (September 2011! )
A Done Deal (December 2011)

ABOUT THE AUTHOR! :
< br />Jenna Bennett is the New York Times bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

ALSO BY THIS AUTHOR:

Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
Spackled and Spooked (August 2009) written as Jennie Bentley
Plaster and Poison (March 2010) written as Jennie Bentley
Mortar and Murder (January 2011) written as Jennie Bentley
Flipped Out (October 2011) written as Jennie Bentley


By the New York Times bestselling author of the Do It Yourself home renovation mysteries...

4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Property, and Contract Pending, by ! bestselling author Jenna Bennett AKA Jennie Bentley.

SYNOPSIS:

Sometimes, trouble hits too close to home.

Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet. And while it's a circumstance that should make everyone happy - now she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't sign on for fatherhood.

Add in the murder of Savannah's sister-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets! in over her head, Rafe's not there to save the day.

A! LSO IN T HIS SERIES:

A Cutthroat Business (May 2011)
Hot Property (June 2011)
Contract Pending (July 2011)
Close to Home (September 2011)
A Done Deal (December 2011)

ABOUT THE AUTHOR:

Jenna Bennett is the New York Times bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

ALSO BY THIS AUTHOR:

Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
Spackled and Spooked (August 2009) written as Jennie Bentley
Plaster and Poison (March 2010) written as Jennie Bentley
Mortar and Murder (January 2011) written as Jennie Bentley
Flipped Out (October 2011) written as Jennie Bentley


Ferociously Close to Home delivers McP! herson's trademark take on the absurdities of everyday life. To say that his solutions to these perplexing situations is 'out there' is an understatement. Consider Gina, who decides a branding iron will be the ideal memory aid for her birthday date-challenged husband. And poor Lanny, whose treadmill session is interrupted when he inadvertently triggers the health club's offensive odor alarm.

McPherson has long walked the line between grotesque and goofy. But somehow, his figures with big noses and bulging eyes connect with readers with a surefire magnetic precision. Whether it's health care or parenting, dating or car repairs, Close to Home delivers McPherson's warped world without fail.(Drama) Two young, different female soldiers patrol the anxious streets of Jerusalem, questioning Palestinians and looking for suicide bombers. The rebellious one finds the army demeaning; the controlled one is obedient. Under intense pressure, against a backdrop of any-minute-now ! terrorist attacks, a friendship takes hold and roles reverse.

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The Invisible Bridge (Vintage Contemporaries)

• ISBN13: 9781400034376
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Paris, 1937. Andras Lévi, a Hungarian-Jewish architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he promised to deliver. But when he falls into a complicated relationship with the letter's recipient, he becomes privy to a secret that will alter the course of hisâ€"and his family’sâ€"history.

From the small Hungarian town of Konyár to the grand opera houses of Budapest and Paris, from the despair of Carpathian winter to an unimaginable life in labor camps, The Invisible Bridge tells the story of a family shattered and remade in history’s darkest hour.

Amazon Best Books of the Month, May 2010: Even if thi! s weren't her first novel, Julie Orringer's Invisible Bridge would be a marvelous achievement. Orringer possesses a rare talent that makes a 600-page story--which, we know, must descend into war and genocide--feel rivetingly readable, even at its grimmest. Building vivid worlds in effortless phrases, she immerses us in 1930s Budapest just as a young Hungarian Jew, Andras Lévi, departs for the École Spéciale d'Architecture in Paris. He hones his talent for design, works backstage in a theater, and allies with other Jewish students in defiance of rising Nazi influence. And then he meets Klara, a captivating Hungarian ballet instructor nine years his senior with a painful past and a willful teenage daughter. Against Klara's better judgment, love engulfs them, drowning out the rumblings of war for a time. But inevitably, Nazi aggression drives them back to Hungary, where life for the Jews goes from hardship to horror. As in Dr. Zhivago, these lovers can't escape his! tory's merciless machinery, but love gives them the courage to! endure. --Mari Malcolm

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Carriers

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Four kids are driving through the desert on the way to the beach, their faces anything but cheery: this isn't Spring Break. They're trying to outrun the end of the world and each other. In Alex and David Pastor's Carriers, no one is safe from the viral pandemic threatening to wipe out the human race. Determined to elude the deadly virus, Danny (Lou Taylor Pucci), his brother Brian (Chris Pine), his girlfriend Bobby (Piper Perabo) and Danny's school friend Kate (Emily VanCampo) speed across the Southwestern U.S. to reach a place of possible safety. Over the course of four days, the group is faced with moral decisions that no human should ever be forced to face. They discover that their greatest enemy is not the microbe attacking humanity, but the darkness within themselves.

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Sounds Like a Plan

• Find out in this party game that's all about giving outrageous advice, select a card containing a piece of advice that best fits the judge's chosen activity
• 4 to 8 players
• Reinforces creativity and imagination
• Ages 10 and up
• Playing time: 30 minutes

Written with the sports fan in mind, Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about such topics as relationships; finances; physical, emotional, and spiritual health; finding the right vocation; living a life of purpose; and overcoming sin and addiction. Written by 3-time Super Bowl and NASCAR championship winning coach/owner Joe Gibbs, edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, the New York Times b! est-selling Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, using examples from Coach Gibbs’ own storied championship careers as a backdrop. This book is a perfect blend of sports and basic theology, designed to bring God’s Word home to sports fans of all generations.

Three-time Super Bowl and NASCAR champion Joe Gibbs’s Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about the 11 most-important topics for men. Topics such as: finances, relationships, living a life of purpose, finding the right vocation, physical, emotional, and spiritual health, and overcoming sin and addictions. Edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, u! sing examples of Coach Gibbs’s own storied championship care! ers as a backdrop. A perfect blend of sports and basic theology, Game Plan for Life is designed to bring God’s word home to sports fans of all generations.

Three-time Super Bowl and NASCAR champion Joe Gibbs’s Game Plan for Life is an “average Joe’s” guide to what the Bible has to say about the 11 most-important topics for men. Topics such as: finances, relationships, living a life of purpose, finding the right vocation, physical, emotional, and spiritual health, and overcoming sin and addictions. Edited by Jerry Jenkins, and featuring contributions from Randy Alcorn, Ravi Zacharias, John Lennox, Tony Evans, Chuck Colson, Josh McDowell, Don Meredith, Walt Larimore, Ron Blue, Ken Boa, and Os Guinness, Game Plan for Life shows readers how to live a balanced, God-centered, purpose-filled life, using examples of Coach Gibbs’s own storied championship careers as a backdrop. A perfect blend of sports and basic theology, Game Plan for Life is designed! to bring God’s word home to sports fans of all generations.

What's the best plan for climbing Mt. Everest? How about the worst plan for making a million bucks? Find out in this party game that's all about giving outrageous advice! Select a card containing a piece of advice that best fits the judge's chosen activity. Score points if the judge takes your advice, but keep in mind that plans change with the roll of a die... You might have to give out bad advice, your grandma's advice, or even advice from a psychic! Take our advice and play today!For 4 - 8 players, ages 10 and up.Play Time: 30 minutesContents: 300 advice cards, 100 to do lists, 8 wooden pawns, 1 custom die, 1 game board and instructions.

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Fools Rush In (Weddings by Bella, Book 1)

• ISBN13: 9780800733421
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

No Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 3-DEC-2002
Media Type: DVDOpposites attract in this conventional but refreshingly unpredictable romantic comedy. New York nightclub designer (Matthew Perry, from television's Friends) is in Las Vegas to supervise the construction of a new project when he meets a fiery Mexican beauty (Salma Hayek). It's lust at first sight, and their one-night stand takes an unexpected turn when she shows up three months later to announce that she's pregnant. They're determined to do right for each other, so they get married in a Vegas chapel with an Elvis impersonator as their witness. Then co! mes the hard part--trying to figure out if they're actually compatible. The plot complications are mostly familiar, but Perry and Hayek throw some bright sparks as their initial bliss turns to more realistic concerns for family and future. Along the way there's some sharp dialogue and a few good laughs to give this all-too-human comedy an enjoyable spin. --Jeff ShannonBella Rossi may be nearing thirty, but her life is just starting to get interesting. When her Italian-turned-Texan parents hand over the family wedding planning business, Bella is determined not to let them down. She quickly books a "Boot Scoot'n" wedding that would make any Texan proud. There's only one catch--she's a country music numbskull because her family only listens to Frank Sinatra and Dean Martin. Where will she find a DJ on such short notice who knows his Alan Jackson from his Keith Urban?

When a misunderstanding leads her to the DJ (and man) of her dreams, things start falling into pl! ace. But with a family like hers, nothing is guaranteed. Can t! he perfe ct Texan wedding survive a pizza-making uncle with mob ties, an aunt who is a lawsuit waiting to happen, and a massive delivery of 80 cowboy boots? And will Bella ever get to plan her own wedding?

Book one in the Weddings by Bella series, Fools Rush In is fun, fresh, and full of surprises. Readers will love the flavorful combination of Italian and Tex-Mex, and the hilarity that ensues when cultures clash.Bella Rossi may be nearing thirty, but her life is just starting to get interesting. When her Italian-turned-Texan parents hand over the family wedding planning business, Bella is determined not to let them down. She quickly books a "Boot Scoot'n" wedding that would make any Texan proud. There's only one catch--she's a country music numbskull because her family only listens to Frank Sinatra and Dean Martin. Where will she find a DJ on such short notice who knows his Alan Jackson from his Keith Urban?

When a misunderstanding leads her to the DJ (and man) ! of her dreams, things start falling into place. But with a family like hers, nothing is guaranteed. Can the perfect Texan wedding survive a pizza-making uncle with mob ties, an aunt who is a lawsuit waiting to happen, and a massive delivery of 80 cowboy boots? And will Bella ever get to plan her own wedding?

Book one in the Weddings by Bella series, Fools Rush In is fun, fresh, and full of surprises. Readers will love the flavorful combination of Italian and Tex-Mex, and the hilarity that ensues when cultures clash.Millie Barnes is this close to finally achieving her perfect life…

Rewarding job as a local doctor on Cape Cod? Check. Cute cottage of her very own? Check. Adorable dog suitable for walks past attractive locals? Check! All she needs is for golden boy and former crush Joe Carpenter to notice her, and Millie will be set.

But perfection isn't as easy as it looksâ€"especially when Sam Nickerson, a local policeman, is so distracting. He is d! efinitely not part of her master plan. But maybe it's time for! Millie to start a new list…MAID IN MANHATTAN/FOOLS RUSH IN - DVD MovieMillie Barnes is this close to finally achieving her perfect life…

Rewarding job as a local doctor on Cape Cod? Check. Cute cottage of her very own? Check. Adorable dog suitable for walks past attractive locals? Check! All she needs is for golden boy and former crush Joe Carpenter to notice her, and Millie will be set.

But perfection isn't as easy as it looksâ€"especially when Sam Nickerson, a local policeman, is so distracting. He is definitely not part of her master plan. But maybe it's time for Millie to start a new list…Millie Barnes is this close to finally achieving her perfect life…

Rewarding job as a local doctor on Cape Cod? Check. Cute cottage of her very own? Check. Adorable dog suitable for walks past attractive locals? Check! All she needs is for golden boy and former crush Joe Carpenter to notice her, and Millie will be set.

But perfection isn't as easy as it looksâ€"es! pecially when Sam Nickerson, a local policeman, is so distracting. He is definitely not part of her master plan. But maybe it's time for Millie to start a new list…Bella Rossi may be nearing thirty, but her life is just starting to get interesting. When her Italian-turned-Texan parents hand over the family wedding planning business, Bella is determined not to let them down. She quickly books a "Boot Scoot'n" wedding that would make any Texan proud. There's only one catch--she's a country music numbskull because her family only listens to Frank Sinatra and Dean Martin. Where will she find a DJ on such short notice who knows his Alan Jackson from his Keith Urban?

When a misunderstanding leads her to the DJ (and man) of her dreams, things start falling into place. But with a family like hers, nothing is guaranteed. Can the perfect Texan wedding survive a pizza-making uncle with mob ties, an aunt who is a lawsuit waiting to happen, and a massive delivery of 80 cowboy b! oots? And will Bella ever get to plan her own wedding?

! Book one in the Weddings by Bella series, Fools Rush In is fun, fresh, and full of surprises. Readers will love the flavorful combination of Italian and Tex-Mex, and the hilarity that ensues when cultures clash.

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Love and Basketball (New Line Platinum Series)

• From the playground to the pro leagues, Monica and Quincy taught each other how to play the game. Now, their commitment to the sport will force them to make a choice between each other and the game.between family and team.between Love and BasketballRunning Time: 127 min. System Requirements: Starring: Omar Epps, Debbi Morgan, Sanaa Lathan, Harry J. Lennix, and Alfre Woodard. Directed by Gi

Her sisters think she's a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is until the guys decide the only way they will ever score any quality time with their women is to find single Eva a man. Pronto.

Enter Ray (LL Cool J) an ultra-suave player's player, who is hired to make Eva fall madly in love with him. All goes according to plan until this ! ladies' man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving its characters an opportunity to sh! ow their truly attractive colors, Eva is delivered to ! us, claw s retracted, and ready for love. --Jeff ShannonHer sisters think she's a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is until the guys decide the only way they will ever score any quality time with their women is to find single Eva a man. Pronto.

Enter Ray (LL Cool J) an ultra-suave player's player, who is hired to make Eva fall madly in love with him. All goes according to plan until this ladies' man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,0! 00 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving its characters an opportunity to show their truly attractive colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff ShannonDeliver Us From Eva Her sisters think she’s a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is, until the guys decide the only way they will eve! r score quality time with their women is to hire ultra-suave R! ay (LL C ool J) to make Eva fall madly in love with him. All goes according to plan until this ladies’ man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.

Something New Kenya McQueen (Sanaa Lathan) thought she had it all: a successful career, good friends and family. There was just one thing she didn’t have under control: her love life. All that changes when she meets sexy, free-spirited Brian Kelly (Simon Baker). But when her ideal man (Blair Underwood) arrives on the scene, Kenya must decide between the relationship everyone expects and the romance no one expected.

The Best Man Harper Steward (Taye Diggs) is a commitment-shy writer and the best man at the wedding of Lance (Morris Chestnut) and Mia (Monica Calhoun). Unfortunately for Harper, the timing couldn’t be worse. His new book is coming out, and it chronicles his college life with his friends in a less than perfect light. The wedding party reunites college bu! ddies Quentin (Terrence Howard), Mirch (Harold Perrineau) and love interest Jordan (Nia Long). As the celebration weekend nears, scandalous secrets begin to reveal themselves…for better or for worse.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more matur! e than most comedies would bother to allow. By giving its char! acters an opportunity to show their truly attractive colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff Shannon The game is on and the rules are out as Jamie Foxx, Morris Chestnut, Jennifer Esposito and Gabrielle Union star in this outrageous comedy that rewrites the book of loveJamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a kinder, gentler break-up. His cousin Evan (Morris Chestnut, The Brothers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposit! o, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerKenya McQueen (Sanaa Lathan) thought she had it all: a successful career, good friends and family. There was just one thing she didn't have under control: her love life. All that changes when she meets sexy, free-spirited Brian Kelly (Simon Baker). But when her ideal man (Blair Underwood) arrives on the scene, Kenya must decide between the relationship everyone expects and the romance no one expected.The tricky topic of interracial romance gets a sexy, charming, and unexpectedly realistic treatment in Something New. Kenya (Sanaa Lathan, Out of Time, Alien Vs. Predator), a successful accountant, gets set up on a blind date with Brian (Si! mon Baker, The Ring Two)--only to discover that he's wh! ite, lea ding her to cut the date short. At a party, Kenya admires the garden and gets introduced to the landscape architect: Brian. Thus begins a bumpy but increasingly sparky relationship, despite opposition from Kenya's friends and family, as well as Kenya and Brian's own internal resistance. Make no mistake, Something New is a mainstream romantic comedy, with ridiculously attractive people grappling with problems that get solved with just a little too much ease--but along the way, Kriss Turner's script, Sanaa Hamri's direction, and Baker's and especially Lathan's performances ground the movie in something resembling the real world. Kenya's and Brian's emotional terrain has a genuine texture to it; the rhythm of the dialogue and the visual pacing allows their characters to breathe and become more genuine and vivid than your standard rom-com lovers. The strong supporting cast--including Alfre Woodard (Crooklyn), Donald Faison (Scrubs), Mike Epps (Next Friday! ), and Blair Underwood (Full Frontal)--doesn't hurt. But Lathan owns the movie; this actress deserves true stardom. --Bret FetzerAt a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving ! its characters an opportunity to show their truly attractive ! colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff ShannonFrom the playground to the pro leagues, Monica and Quincy taught each other how to play the game. Now, their commitment to the sport will force them to make a choice between each other and the game...between family and team...between Love and Basketball.Gina Prince-Bythewood, a former college athlete, puts a spin on this one-on-one tale of Love and Basketball. Sanaa Lathan (The Best Man) is the fiercely driven, hot-tempered Monica, a tomboy who gives her all for basketball. Omar Epps (The Mod Squad) is Quincy, an NBA player's son who has pro dreams of his own. Next-door neighbors since first grade, they start as rivals (she flabbergasts the boy by outplaying him in a game of driveway pickup) and age into best friends and lovers. The romantic complications follow a familiar game plan, but the film throws a fascinating spotlight onto the contrast between men's and ! women's basketball. While Quincy plays college ball on huge courts to cheering, sold-out crowds, we see Monica's sweat, tears, and sheer physical dedication in front of tiny audiences in small gyms and second-rate auditoriums.

The story is pointedly set in the late 1980s, years before the establishment of the WNBA, so Monica's prospects for pro ball lie exclusively in Europe, while Quincy steps into the pros at home. It's a pleasure to see a character as passionate and fully developed as Monica, and Lathan gives a fiery portrayal (she had never played ball before the film, but you'd never tell from her performance). Prince-Bythewood favors her struggle over Quincy's and opens our eyes to her unique challenges with a sharp, savvy contrast. Alfre Woodard costars as Monica's harping mom (always trying to get her to be more ladylike) and Dennis Haysbert is Quincy's philandering father. Hoops fan Spike Lee produced. --Sean Axmaker

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Act of God

• This particular album has all the elements I've come to expect from acapella, great voices, good lyrics, and catchy tunes that are uplifting, sad, and comforting.

Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal's (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories around the world--from a former CIA assassin and a French storm chaser, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster witnessed his friend get struck dead by lightning as a teenager, and has been wrestling with its import on destiny ever since. In a neurologica! l experiment, Frith improvises with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, ACT OF GOD singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury.


On a dark, foggy San Francisco evening, Jeremy Fullerton, a hot shot California senator with his eye on the presidency, is found murdered in the front seat of his car after speaking at a political fundraiser. The police arrest a young black male found fleeing the scene. The youth, a medical student, says that he tried to help the senator, but ran because he was afraid of the police. However, all the evidence says otherwise. The only lawyer willing to take the case, fraught with political and social ramifications, is an outsider -- and Joseph Antonelli leaves his Portland, Oregon, practice in search of justice. As he begins to prepare his defense, he finds himself lost in a wor! ld ruled by backroom politics and old money. He digs deeper an! d uncove rs a chain of deceit, betrayal, and naked ambition -- and soon discovers just how much one person will risk in order to leave behind a legacy.On a dark, foggy San Francisco evening, Jeremy Fullerton, a hot shot California senator with his eye on the presidency, is found murdered in the front seat of his car after speaking at a political fundraiser. The police arrest a young black male found fleeing the scene. The youth, a medical student, says that he tried to help the senator, but ran because he was afraid of the police. However, all the evidence says otherwise. The only lawyer willing to take the case, fraught with political and social ramifications, is an outsider -- and Joseph Antonelli leaves his Portland, Oregon, practice in search of justice. As he begins to prepare his defense, he finds himself lost in a world ruled by backroom politics and old money. He digs deeper and uncovers a chain of deceit, betrayal, and naked ambition -- and soon discovers just how much one p! erson will risk in order to leave behind a legacy.On a dark, foggy San Francisco evening, Jeremy Fullerton, a hot shot California senator with his eye on the presidency, is found murdered in the front seat of his car after speaking at a political fundraiser. The police arrest a young black male found fleeing the scene. The youth, a medical student, says that he tried to help the senator, but ran because he was afraid of the police. However, all the evidence says otherwise. The only lawyer willing to take the case, fraught with political and social ramifications, is an outsider -- and Joseph Antonelli leaves his Portland, Oregon, practice in search of justice. As he begins to prepare his defense, he finds himself lost in a world ruled by backroom politics and old money. He digs deeper and uncovers a chain of deceit, betrayal, and naked ambition -- and soon discovers just how much one person will risk in order to leave behind a legacy.Track Listings 1. He's Gonna Let You Know 2. Get To The Point 3. Act Of God 4. House Of Praise 5. And They Praise God 6. Gotta Grow Up 7. Let There Be Love 8. Teaching The Truth In Love 9. Let's Show And Tell 10. Walking The Line

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Webkinz Plush Stuffed Animal Grey Owl

• Full Sized Webkinz
• Comes with a secret code that lets you enter Webkinz World

Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures! out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker

First published in 1935, Pilgrims of the Wild is Grey Owl's autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl's life of happy cohabitation with the wild creatures of nature and the healing po! wers of what he referred to as "the great Northland" of "Over ! the Hill s and Far Away."

A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl's international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn't, in fact, the First Nations man he claimed to be.

From the director of GANDHI and the executive producer of DANCES WITH WOLVES and A RIVER RUNS THROUGH IT comes the remarkable true story of a 1930s frontier trapper who adopted the ways of the wild and found love among its people. After discovering a world slowly threatened by extinction in the woods of the great north, one man’s passion led him to fight for the protection of the land he loved. Pierce Brosnan stars as Archie Grey Owl in this epic adventure about a man who had the courage to defend and lead his people in war and victory and the strength to become their voice to the world.An Englishman with the imagination and! the arrogance to pose as a North American Indian, a fur trapper who kept beaver as pets, a drunken brawling bigamist who embraced the wilderness to escape his ghosts, a compelling champion of that wilderness who travelled much of the world speaking to huge audiences about the fate of the natural world - who was the real Archie Belaney, known to many as Grey Owl? Grey Owl, the Mystery of Archie Belaney is a unique, accessible collection of narrative poetry and journal entries which examines this dynamic, often contradictory, always fascinating man who reconstructed his identity and delivered a message of conservation to the world.Grey Owl Webkinz by Ganz HM344

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Drop Dead Gorgeous

• A mockumentary about a vicious competition between two contestants in a rural Minnesota beauty pageant. While the two girls prepare for the contest, their mothers (an overbearing hairdresser and a civic-minded matriarch) decide they will stop at nothing to help each one's respective child win the contest.Running Time: 98 min. System Requirements: Starring: Kirstie Alley, Ellen Barkin, Kirsten

The sarah rose cosmetics miss teen princess america pageant is a beauty contest to die for. And thats exactly what the contestants in mount rose minnesota are doing in this hilarious satire of all-american competition. Special features: animated and interactive menus cast and crew filmographies and more. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Kirstie Alley Kirsten Dunst Run time: 98 minutes Rating: Pg13 Director: Michael Patrick JannSubtle is not the word to describe Drop! Dead Gorgeous, a mock documentary purporting to cover the Sarah Rose Cosmetics Teen America Beauty Pageant in Mount Rose, Minnesota. Ellen Barkin (Sea of Love) and Kirsten Dunst (Interview with a Vampire, Dick) are perfectly cast as a mother and daughter whose only ambition is to use the pageant to get out of their claustrophobic small-town lives. Opposing them are Denise Richards (Wild Things, Starship Troopers) and her mother, Kirstie Alley (Look Who's Talking), who just happens to be the pageant's organizer. The plot, which centers on contestants being murdered (mostly by flaming explosions), is clearly secondary to the backstage shenanigans and satirical portrayals of vanity, small-town corruption, and family dysfunction. There's not much suspense to the pageant itself, but Dunst is an endearing protagonist and along with the broad jokes are some excellent acting turns from the cast, particularly Barkin, Brittany Murphy (Clueless), Nora Dunn (a Saturday Night Live alumna! ), and t he great character actress Allison Janney, who's played small roles in countless movies but finally gets a chance to shine as the supportive neighbor of Barkin and Dunst. In fact, for all the jokes and satirical jabs, in the end it's the characters' relationships that stay in your mind. A bonus: the soundtrack features a hard-rocking version of the theme from The Mary Tyler Moore Show, performed with cool aplomb by Joan Jett and the Blackhearts. --Bret Fetzer

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Closing Escrow

• CLOSING ESCROW is the story of three quirky families seeking to buy their next home. They re all moving for different reasons and none of them are getting along with their real estate agents.African American attorneys Bobby and Tamika have hired Hillary Macella as their real estate agent. Hillary is a racially hyper-sensitive white woman dealing with more than her share of white guilt. That is unt

CLOSING ESCROW - DVD Movie

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Christmas in the Clouds

• A surprise visit by a major travel guide to the Native America run Sky Mountain Resort sparks mayhem and romance in this critically praised holiday feature. Shot on the stunning grounds of the acclaimed Sundance Institute, Christmas in the Clouds is a thoroughly enjoyable comedy and an instant holidayic.Starring: Tim Vahle (Walking Tall: Lone Justice), M. Emmet Walsh (Racing Stripes, Blood Simple)

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 94 minutes


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 96 minutes

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For Roseanna : Widescreen Edition

• Widescreen

This film centers on Marcello, a trattoria proprietor in an Italian village who will stop at nothing to make sure his beloved but ailing wife, Roseanna, realizes her dream of being buried at the local cemetary.Congratulations to director Paul Weiland for taking a stupid premise and creating a truly romantic look at marriage. Mercedes Ruehl is dying of a weak heart, and her husband, Jean Reno, hopes to keep his promise to bury her in their tiny Italian village, despite a lack of room in the cemetery. While he is trying to keep his friends and neighbors out of the local bone yard, she is quietly seeking candidates for his next wife. Many movies treat marriage as a death sentence. For Roseanna looks past daily bickering to the enduring love and warm companionship of well-matched lovers. Clearly defined characters, a disarming dénouement, and passionate performances transform t! he silly plot into a playful valentine. --Rochelle O'GormanCongratulations to director Paul Weiland for taking a stupid premise and creating a truly romantic look at marriage. Mercedes Ruehl is dying of a weak heart, and her husband, Jean Reno, hopes to keep his promise to bury her in their tiny Italian village, despite a lack of room in the cemetery. While he is trying to keep his friends and neighbors out of the local bone yard, she is quietly seeking candidates for his next wife. Many movies treat marriage as a death sentence. For Roseanna looks past daily bickering to the enduring love and warm companionship of well-matched lovers. Clearly defined characters, a disarming dénouement, and passionate performances transform the silly plot into a playful valentine. --Rochelle O'GormanCongratulations to director Paul Weiland for taking a stupid premise and creating a truly romantic look at marriage. Mercedes Ruehl is dying of a weak heart, and her husban! d, Jean Reno, hopes to keep his promise to bury her in their t! iny Ital ian village, despite a lack of room in the cemetery. While he is trying to keep his friends and neighbors out of the local bone yard, she is quietly seeking candidates for his next wife. Many movies treat marriage as a death sentence. For Roseanna looks past daily bickering to the enduring love and warm companionship of well-matched lovers. Clearly defined characters, a disarming dénouement, and passionate performances transform the silly plot into a playful valentine.

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Harry Potter and the Goblet of Fire (Single-Disc Widescreen Edition)

• Format: Widescreen, Closed-captioned, Dubbed, DVD, Subtitled, NTSC
• Language: English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only.)
• Aspect Ratio: 1.33:1

When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools - the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named. In this fourth film adaptation of J.K. Rowling's Harry Potter series, everything changes as Harry, Ron and Hermione leave childhood forever and take on challenges greater than anything they could have imagined.The latest entry in the Harry Potte! r saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold.

But don't worry, there's ! plenty of wizardry and action in Goblet of Fire. When t! he deadl y Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson a! s Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim

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The Assassination of Jesse James by the Coward Robert Ford

• Everyone in 1880s America knows Jesse James. Hes the nations most notorious criminal, hunted by the law in 10 states. Hes also the lands greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. Hell befriend Jesse, ride with his gang. And if that doesnt bring Ford fame, hell find a deadlier way.Friendship become

Jesse James was a fabled outlaw, a charismatic, spiritual, larger-than-life bad man whose bloody exploits captured the imagination and admiration of a nation hungry for antiheroes. Robert Ford was a young upstart torn between dedicated worship and murderous jealousy, the "dirty little coward" who coveted Jesse's legend. The powerful, strange, and unforgettable story of their interweaving pathsâ€"and twin destinies that would collide in a rain of blood and betrayalâ€"is a story of America in all ! her rough, conflicted glory and the myths that made her.

2008 soundtrack to the acclaimed film starring Brad Pitt. The soundtrack's composers, Nick Cave and Warren Ellis, come from the internationally celebrated bands Nick Cave And The Bad Seeds, The Dirty Three and Grinderman. Cave and Ellis composed, played and produced this compelling and intense soundtrack for director Andrew Dominik's savage tale of the true West, The Assassination of Jesse James By The Coward Robert Ford. This soundtrack perfectly captures the charismatic and unpredictable nature of the film's central protagonist. Like the film, Cave and Ellis' music cuts through the mythic figure of Jesse James to reveal the complex, contradictory man beneath. Daring and passionately delivered, this beautiful soundtrack retains its captivating power even without the benefit of Dominik's images. Mute.Hansen re-creates the real West with his imaginative telling of the life of the most famous outlaw of them all, ! Jesse James, and of his death at the hands of the upstart Robe! rt Ford. James, a charismatic, superstitious, and moody man, holds sway over a ragged gang who fear his temper and quick shooting. Robert Ford, a young gang member torn between worshipping Jesse and taking his place, guns him down in cold blood and lives out his days tormented by the killing.Everyone in 1880s America knows Jesse James. He’s the nation’s most notorious criminal, hunted by the law in 10 states. He’s also the land’s greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. He’ll befriend Jesse, ride with his gang. And if that doesn’t bring Ford fame, he’ll find a deadlier way. Friendship becomes rivalry and the quest for fame becomes obsession in this virile epic produced in part by Ridley Scott and featuring gripping portrayals by Brad Pitt (winner of the Venice Film Festival Best Actor Award) as Jesse and Casey Affleck as the youth drawn closer to his goal…and farthe! r from his own humanity.Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fascinating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony.

The film--only the second to be made by New Zealandâ€"born writer-director Andrew Dominik--reminds us that Dominik's debut film, Ch! opper (2000), was the cunningly off-kilter portrait of ano! ther rea l-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robbery we witness is punctuated by acts of gratuitous brutality, not gallantry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise.

Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness i! s astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelistic backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title.

Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few West! erns have conveyed so tangibly the bleakness and austerity of ! the spac es people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson

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Fun With My 5 Senses: Activities to Build Learning Readiness (Williamson Little Hands Series)

• Activities that build learning readiness

How do you learn what the world is like?

Through your five senses! Each sound and taste, each smell, sight, and touch helps you to discover something new. So find out more about your senses-what they are and what you can learn through them about the exciting world.The world awaits!

Do you know how your five sense help you? Find out how your sight, hearing, smell, taste, and touch help you understand the world around you in this story about your amazing body.This title is suitable for ages 4 to 8 years. From their eyes, ears, and nose right down to their tippy toes, kids' five senses will be tingling with the fun and excitement of self-discovery. Create a storybook stew, go on a sniffing house tour, take a wide-eyed nature walk, play 'find that painting', and laze about creatively with cloud characters, giggling all the while at their newl! y found sensory perceptions. There's no doubt about it, the experiences and observations in this book add up to a lifetime of learning spelled fun.

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Lost in Translation

• Oscar for Best Original Screenplay
• A Conversation with Bill Murray and Sofia Coppola
• "Lost" on Location: Behind the Scenes Documentary
• "City Girl" Music Video by Kevin Shields
• Extended and Deleted Scenes and More

Bill Murray (Lost in Translation) stars in the comedic story of an aging Don Juan who hits the road on a revealing and humorous cross-country journey. When a mysterious pink letter informs Don Johnston (Murray) that he may have a 19-year-old son, he visits four former lovers, where he comes face to face with the errors of his past and the possibilities of the future. From acclaimed director Jim Jarmusch and co-starring Sharon Stone, Frances Conroy, Jessica Lange, Tilda Swinton, and Jeffrey Wright, Broken Flowers is the highly original comedy that Peter Travers of Rolling Stone says is "filled with wonderful mischief" and "brings out the best in Bil! l Murray." Starring: Bill Murray, Sharon Stone, Jessica Lange, Jeffrey Wright, Tilda Swinton, Frances Conroy, Julie Delpy, Mark Webber, Chloe Sevigny, Christopher McDonald, Alexis Dziena Directed by: Jim JarmuschBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and T! ilda Swinton, The Deep End) who were once his lovers. P! art road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret FetzerUniversal, Studios, Region 2 PAL 2005 106 minsBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the i! ndispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfull! y eloquent about what's not being said. --Bret FetzerBi! ll Murra y gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's "Broken Flowers". Don Johnston (Murray, "Lost in Translation", "Rushmore") receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, "Shaft", "Basquiat"), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, "The Quick and the Dead"; Frances Conroy, "Six Feet Under"; Jessica Lange, "Sweet Dreams"; and Tilda Swinton, "The Deep End") who were once his lovers. Part road movie, part detective story, part existential meditation, "Broken Flowers" is even more minimalist than most Jarmusch movies ("Stranger Than Paradise", "Dead Man", "Mystery Train")--anyone looking f! or an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--"Broken Flowers" will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. "--Bret Fetzer"Bill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different w! omen (Sharon Stone, The Quick and the Dead; Frances Con! roy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzer

SHE WAS TOO GROWN-UP FOR CHILDISH GAMES.

BUT TOO YOUNG TO BECOME A WOMAN. . . .

Living with her parents and brother, Ian, in her Grandmother Emma's enormous mansion, Jordan March tries to be a good girl and follow her grandmother's strict rules. It's ! easy for Jordan to hide in the shadows -- between Ian's brilliant, all-consuming talents for science and the ever-more-frequent arguments among the grown-ups. But one day, without warning, Jordan's body begins to change -- and everyone notices her in a way that seems dark, dangerous, and threatening. Suddenly the March family secrets are unleashed, and Jordan is ashamed and afraid that her soft curves are unwelcome indeed. Shipped off to a lakeside hideaway, Jordan and Ian befriend a girl whose shocking revelations make for a summer of scandal and explosive emotion. Outraged, Grandmother Emma sets out to make Jordan pay for her family's past mistakes, sending her world spinning wildly out of control. . . .

Bill Murray (Actor), Scarlett Johansson (Actor), Sofia Coppola (Director) | Rated: R | Format: DVD

• # DVD Release Date: May 3, 2009
• # Run Time: 104 minutes

Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura! of fantastic light, moody sound, head-turning love, and a fee! ling of déjà vu, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of ! bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas

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Haribo Gummi Candy Gold-Bears, 5-Pound Bag

• One 5-pound bag containing approximately 485 pieces
• Naturally flavored with balanced sweetness
• Mouth watering, colorful candy
• Flavors are pineapple (white), strawberry (green), lemon (yellow), orange (orange), and raspberry (red)

Haribo Gummy Gold Bears Candy is soft, chewy and translucent. And they are bursting with beary yummy flavor. There is nothing quite as whimsically delicious as gummy bears, a candy popular the world over for its sprightly personality and fruity taste. Squeeze them, line them up and make them dance, or just plain eat them. Haribo Gold-Bears are a mixed delight of white/pineapple, green/strawberry, yellow/lemon, orange/orange, and red/raspberry gummy bears.

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My Boy Jack

• Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred

They share the same birth month, so the orphanage calls them December Boys. But these teens â€" Maps, Spit, Spark and Misty â€" have much more in common. With no hopes of ever joining a family, they form their own familial bonds. Then the unexpected news comes that a young couple may adopt one of them, and the long-time pals suddenly share something else: a rivalry to be the chosen one.Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept! up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred, determined that his son should go to the front, like countless other sons, and fight for the values that he, Kipling, espouses so publicly. Using his fame and influence, Kipling persuades Lord Roberts, on his death bed, to get Jack a commission in the Irish guards. This intervention is barely tolerated by Carrie and daughter Elise (Carey Mulligan), as they disagree that Jack is fit to fight and fear for his safety on the front line. Jack is instantly popular with his troop he is a great leader and trains tirelessly to overcome the disability that is his eyesight. Six months later Jack sails to France as a lieutenant. Jack went missing in action during the Battle of Loos and his mother a! nd father carried out an increasingly desperate search for him! , spanni ng many years and many miles.

DVD Features:
Deleted Scenes
Interviews

As affecting as it is thought-provoking, ITV's My Boy Jack illustrates the dangers of unbridled patriotism. To grow up the child of a famous author is burden enough, but when the boy must embody the beliefs of the man, the consequences can be devastating. In the case of John "Jack" Kipling (Harry Potter's Daniel Radcliffe in his most mature role to date), 17-year-old son of Rudyard Kipling (Four Weddings and a Funeral's David Haig), his father's passion for King and Country leads to a preventable tragedy. Based on Haig's play, the proceedings begin in 1914, prior to the outbreak of World War II. Jack attempts to join the army and the navy, but both reject him due to severe shortsightedness, so Kipling Sr. pulls strings to place him with the Irish Guards. Jack's sister, Elsie (Bleak House's Carey Mulligan), and American-born mother, Caroline (a! brunette Kim Cattrall), would rather he serve the war effort at home. Through hard work and determination, Jack scales the ranks from private to lieutenant, but goes missing in France, and many months pass before the family solves the mystery of his disappearance. In the end, My Boy Jack, which aired in England on Remembrance Day, concerns itself more with paying tribute than apportioning blame, and Haig skillfully portrays Kipling's guilt in putting his son in harm’s way and pride in a brave soldier who "played his part properly." Special features include interviews and deleted scenes. Parental advisory suggested due to situation-appropriate language and teen smoking. --Kathleen C. Fennessy

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Fay Grim

• Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g

HENRY FOOL - DVD MovieSimon (James Urbaniak), a shy garbage man, lives with his sister (Parker Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poem. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as pe! rverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, it's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching them in one's home makes them seem more intimate and less abstract. --Bret FetzerFAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Conseq! uently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from novelist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fa! y travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the time being, from a string of disappointments, like No Such Thing and The Girl From Monday. --Kathleen C. Fennessy

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Needless Casualties of War

• Paerback book
• 1999
• self published

Studio: Sony Pictures Home Ent Release Date: 03/27/2007 Run time: 119 minutes Rating: RBased on a true story, this Brian De Palma film casts Michael J. Fox as a soldier in Vietnam in a squad led by Sean Penn. While on patrol, in the wake of an ambush that has left friends dead, they kidnap and rape a Vietnamese woman--then murder her. But Fox, one of the soldiers who refused to participate in the rape, is so appalled by the killing that he reports it--and finds himself being treated as the villain. Penn is scarily tough as the vindictive soldier and De Palma does a solid job of re-creating the crime, making it a thing of horror. Yet this film never quite connects, despite a strong performance by Fox and a supporting cast that includes John C. Reilly and John Leguizamo. --Marshall FineThe story of a combat squad gone berserk in the ju! ngles of Vietnam. Based on a true story.
Genre: Feature Film-Drama
Rating: R
Release Date: 23-MAR-2004
Media Type: DVDBased on a true story, this Brian De Palma film casts Michael J. Fox as a soldier in Vietnam in a squad led by Sean Penn. While on patrol, in the wake of an ambush that has left friends dead, they kidnap and rape a Vietnamese woman--then murder her. But Fox, one of the soldiers who refused to participate in the rape, is so appalled by the killing that he reports it--and finds himself being treated as the villain. Penn is scarily tough as the vindictive soldier and De Palma does a solid job of re-creating the crime, making it a thing of horror. Yet this film never quite connects, despite a strong performance by Fox and a supporting cast that includes John C. Reilly and John Leguizamo. --Marshall FineIn this timely teaching, Needless Casualties of War, John Paul Jackson reveals some startling insights that will un! cover spiritual strategies of the dark side. Find out how you ! can prot ect yourself from Satan's onslaught and escape his unforseen and unperceived attacks. Read by Carol Cavazos.

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Let's Get Real or Let's Not Play: Transforming the Buyer/Seller Relationship

• ISBN13: 9781591842262
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Get Real begins with a couple of hedgehogs having sex, and deals with a topic just as prickly: gay love in adolescence. Steve (Ben Silverstone) is a student at a British school where everyone wears classy uniforms, knows he's gay, and is pretty comfortable being so. John (Brad Gorton), a top athlete and all-around admired guy, is just getting an inkling and isn't sure how he feels about it. This, cleverly, is how the movie manages to explore coming-out issues and be over them at the same time. In fact, the whole movie is pretty clever--witty dialogue, deft direction, nimble pacing, and clean editing--in exploring the seriousness of adolescent life without taking it too seriously. The key is in S! ilverstone's performance; he's a completely convincing mixture of hesitation and recklessness, all the conflicts of high school in one sweet-faced package. As the movie follows Steve and John's relationship--their evasions at school, getting picked up by the police in a park, goofing around in a heated swimming pool, grappling with coming out to the world at large--it lays out a bit of contrast with Steve's best friend Linda (Charlotte Brittain), who's as unapologetically fat as Steve is gay, and who's having an affair with her driving instructor. Excellent performances all around, funny, sexy, charming--if only straight teen comedies were half this good. Get Real even demonstrates the proper etiquette when soliciting sex in public restrooms; what more can you ask for? --Bret FetzerGet Real begins with a couple of hedgehogs having sex, and deals with a topic just as prickly: gay love in adolescence. Steve (Ben Silverstone) is a student at a British scho! ol where everyone wears classy uniforms, knows he's gay, and i! s pretty comfortable being so. John (Brad Gorton), a top athlete and all-around admired guy, is just getting an inkling and isn't sure how he feels about it. This, cleverly, is how the movie manages to explore coming-out issues and be over them at the same time. In fact, the whole movie is pretty clever--witty dialogue, deft direction, nimble pacing, and clean editing--in exploring the seriousness of adolescent life without taking it too seriously. The key is in Silverstone's performance; he's a completely convincing mixture of hesitation and recklessness, all the conflicts of high school in one sweet-faced package. As the movie follows Steve and John's relationship--their evasions at school, getting picked up by the police in a park, goofing around in a heated swimming pool, grappling with coming out to the world at large--it lays out a bit of contrast with Steve's best friend Linda (Charlotte Brittain), who's as unapologetically fat as Steve is gay, and who's having an affair with! her driving instructor. Excellent performances all around, funny, sexy, charming--if only straight teen comedies were half this good. Get Real even demonstrates the proper etiquette when soliciting sex in public restrooms; what more can you ask for? --Bret Fetzer

Can you change the world with your wallet?

You already do.
In this frank, teen-friendly manifesto, Mara Rockliff reveals what you’re really buying when you spend your money on a cell phone, a cheap t-shirt, or fast foodâ€"and shows the way to better choices, both for people and the planet.

Start seeing the world for real, and discover how you can make a difference. You’ve got buying powerâ€"now let’s see you change the world for good!

 

GET REAL has been selected as an Honor Book in the Nonfiction category for the 2011 Green Earth Book Award.

Get Real begins with a couple of hedgehogs having sex, and deals with a topic ! just as prickly: gay love in adolescence. Steve (Ben Silversto! ne) is a student at a British school where everyone wears classy uniforms, knows he's gay, and is pretty comfortable being so. John (Brad Gorton), a top athlete and all-around admired guy, is just getting an inkling and isn't sure how he feels about it. This, cleverly, is how the movie manages to explore coming-out issues and be over them at the same time. In fact, the whole movie is pretty clever--witty dialogue, deft direction, nimble pacing, and clean editing--in exploring the seriousness of adolescent life without taking it too seriously. The key is in Silverstone's performance; he's a completely convincing mixture of hesitation and recklessness, all the conflicts of high school in one sweet-faced package. As the movie follows Steve and John's relationship--their evasions at school, getting picked up by the police in a park, goofing around in a heated swimming pool, grappling with coming out to the world at large--it lays out a bit of contrast with Steve's best friend Linda (Cha! rlotte Brittain), who's as unapologetically fat as Steve is gay, and who's having an affair with her driving instructor. Excellent performances all around, funny, sexy, charming--if only straight teen comedies were half this good. Get Real even demonstrates the proper etiquette when soliciting sex in public restrooms; what more can you ask for? --Bret FetzerIn Donald E. Westlake's classic caper novels, the bad get better, the good slide a bit, and Lord help anyone caught between a thief named John Dortmunder and the current object of his attention.

However, being caught red-handed is inevitable in Dortmunder's next production, when a TV producer convinces this thief and his merry gang to do a reality show that captures their next score. The producer guarantees to find a way to keep the show from being used in evidence against them. They're dubious, but the pay is good, so they take him up on his offer.

A mock-up of the OJ bar is built in a war! ehouse down on Va! rick Str eet. The ground floor of that building is a big open space jumbled with vehicles used in TV world, everything from a news truck and a fire engine to a hansom cab (without the horse).

As the gang plans their next move with the cameras rolling, Dortmunder and Kelp sneak onto the roof of their new studio to organize a private enterprise. It will take an ingenious plan to outwit viewers glued to their television sets, but Dortmunder is nothing if not persistent, and he's determined to end this shoot with money in his pockets.A pair of teenage boys growing up in a working-class neighborhood become aware of their homosexuality. While both were vaguely aware they might be gay, neither had ever acted on their impulses. Once they decide that they're attracted to each other, neither is sure just what to do. Winner of 4 International Film Festival Awards.This absolute winner, based on a stage play by Jonathan Harvey and adapted by him, is a kind ! of enchanted, urban slice-of-life tale about a gay teen, Jamie (Glen Berry), who is in love with the boy next door, Ste (Scott Neal). Hampering Jamie's progress on the romantic front is his fear that his mother (Linda Henry) will find out, as well as concern over complicating Ste's existing problems. Beautiful Thing is a relationship movie, to be sure, but that description doesn't really describe the buoyant tone of this British television production. Democratic in its inclusive regard for each character (whether camera-pretty or not), the film--well-directed by Hettie Macdonald--is full of surprises. Chief among them is the terrific personality of Jamie's mum, a strong and independent woman who truly worries over and adores her son. But this is a movie involved in a kind of happy dialogue with itself: the tunes of Mama Cass, for instance, play a part in both the story and overall ambience, while a strategic placement of the Rodgers and Hammerstein chestnut "Sixteen! Going on Seventeen" during an act of love is fun and exciting! . --T om KeoghSometime in the not-too-distant future, boxing has been outlawed and replaced by fighting matches with robots. Big robots. Hulking, rock 'em, sock 'em mechanical robots. But if those machines are cutting edge, Real Steel sticks to an old-fashioned style of storytelling, with a tale of a down-and-out fight manager (Hugh Jackman) looking for a good 'bot to get back in the game, and get back out of debt. Hearts are further tugged by the arrival of this guy's 11-year-old son (Dakota Goyo), who hasn't seen his dad in many years but now needs tending. There's something endearing about the way nobody ever pauses to remark on the fact that they are in the presence of giant remote-controlled prizefighting robots; it's taken for granted in this cockeyed universe. Loosely inspired by a Richard Matheson-penned episode of The Twilight Zone, Shawn Levy's film is lavishly mounted and fairly ridiculous--although in this case, the human interactions are more prepost! erous and formulaic than the fun robot action. Jackman plays to his roguish strengths, Evangeline Lilly (Lost) gets the perfunctory love interest role, and the villains are uncomplicatedly hissable, from Jackman's good ol' boy rival (Kevin Durand) to the heavily accented owners (Olga Fonda, Karl Yune) of the most fearsome of robots, the undefeated Zeus. If you can imagine Rocky restaged with a pile of spare parts, you might be the audience for Real Steel. --Robert HortonThe new way to transform a sales culture with clarity, authenticity, and emotional intelligence.

Too often, the sales process is all about fear.

Customers are afraid that they will be talked into making a mistake; salespeople dread being unable to close the deal and make their quotas. No one is happy.

Mahan Khalsa and Randy Illig offer a better way. Salespeople, they argue, do best when they focus 100 percent on helping clients succeed. When customer! s are successful, both buyer and seller win. When they aren’! t, both lose. It’s no longer sufficient to get clients to buyâ€"a salesperson must also help the client reduce costs, increase revenues, and improve productivity, quality, and customer satisfaction.

This book shares the unique FranklinCovey Sales Performance Group methodology that will help readers:

• Start new business from scratch in a way both salespeople and clients can feel good about
• Ask hard questions in a soft way
• Close the deal by opening minds

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