
- Anchorman...in Hi-Def!
- Exclusive Packaging
- 12 Limited Issue Trading Cards
- 32-Page Diary

Mainstream rhetoric has made a concerted effort to polarize African Americans and Latinos, emphasizing differences in language and religion, while designating one or the other as the âfavored minorityâ at wi! ll. In Witness, Amalia Mesa-Bains and bell hooks invite us to reexamine this politically popular binary and consider which differences are manufactured and which are real.
In Witness, Mesa-Bains and hooks explore their own similarities and differences, sharing the ways their childhoods, families, and work have shaped their political activism, teaching, and artistic expression. Drawing on shared experiences of sexism, classism, and racism, hooks and Mesa-Bains show how people from divergent cultural backgrounds can work together for radical social change.
While the black/Latino divide and the increasing cross-community political collaboration has been addressed in progressive newspapers and magazines, Witness, an inclusive call to reflect and act, is the first of its kind to look at these issues in depth. And Amalia Mesa-Bains, a pioneer scholar and producer of Chicana art, with bell hooks, one of the most acclaimed of African American theo! ristsâ"prove an unparalleled match for the job.
bel! l hooks< /b> is one of the leading public intellectuals of her generation. She has written extensively on the emotional impact of racism and sexism, particularly on black women, as well as the importance of political engagement with art and the media. In her recent work on love, relationships, and community, she shows how emotional health is a necessary component to effective resistance and activism.
Amalia Mesa-Bains is an artist, curator, and writer who has initiated comprehensive exhibitions of Latino art, including Chicano Art: Resistance and Affirmation and Mi Alma, Mi Tierra, Mi Gente: Contemporary Chicana Art. Her artwork incorporates various aspects of Chicano/a history, culture, and folk traditions, exploring religion, ritual, and female rites of passage. She won a MacArthur Fellowship in 1992.
Our food system is dominated by industrial agriculture and has become economically and environmentally unsustainable. The incidence of die! t-related diseases, including obesity, diabetes, hypertension, cancer, and heart disease, has skyrocketed to unprecedented levels. Whether you have forty acres and a mule or a condo with a balcony, you can do more than you think to safeguard your health, your money, and the planet.
Homegrown and Handmade shows how making things from scratch and growing at least some of your own food can help you eliminate artificial ingredients from your diet, reduce your carbon footprint, and create a more authentic life. Whether your goal is increasing your self-reliance or becoming a full-fledged homesteader, it's packed with answers and solutions to help you:
This comprehensive guide to food and fiber from scratch proves t! hat attitude and knowledge is more important than acreage. Wri! tten fro m the perspective of a successful self-taught modern homesteader, this well illustrated, practical, and accessible manual will appeal to anyone who dreams of a simpler life.
Deborah Niemann is a homesteader, writer, and self-sufficiency expert who presents extensively on topics including soapmaking, bread baking, cheesemaking, composting, and homeschooling. She and her family raise sheep, pigs, cattle, goats, chickens, and turkeys for meat, eggs, and dairy products, while an organic garden and orchard provides fruit and vegetables.
DVD Features:
Deleted Scenes
Featurette
Music Video
Theatrical Trailer
Based on a novelette by science-fiction icon Philip K. Dick, The Adjustment Bureau exposes a cadre of people who are either superhuman or nonhumans and control the world by magically influencing the fate of every single person in it. Damon plays David Norris, an aspiring politician who rose from working-class roots in Brooklyn (a not-so-clos! eted skeleton that sometimes comes back to haunt him) to wealt! h and th e likely promise of high office. Unfortunately, David takes some liberties with his fate that don't correspond with the narrative laid out by "the Chairman," the entity in charge of the Adjustment Bureau autocrats whose matching fedoras are none-too-subtle symbols for wings. The movie evades any mention of religion, but those hats and references to the Chairman are huge winks. Emily Blunt is the equally appealing presence who screws up the Chairman's plan in concert with Norris. They fall for each other hard again and again, constantly thwarting and confounding the bureau's best-laid adjusting tricks at every turn. Though it is often simplistic in its plot contrivances, the movie is nifty, clever, nimbly paced, and filled with ingenious special effects. Especially impressive is the recurring motif of doors that are virtual wormholes--a closet that leads to the middle of Yankee stadium, an Escher-like maze of conference rooms that constantly double back on themselves (shades ! of the dizzying door sequence in Monsters, Inc.). Another cool visual prop are the plain bound books bureau functionaries carry that are filled with intricate, animated schematic diagrams that chart the course of a life and how it interacts with others. John Slattery, Anthony Mackie, and Terence Stamp round out the uniformly excellent cast headed by Damon and Blunt, and with the slick production design and inventive effects, the glossy performances go a long way in adjusting up any dramatic shortcomings The Adjustment Bureau may have improperly calibrated. --Ted FryDavid Norris (Matt Damon) glimpses the future Fate has planned for him...and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be with the only woman he's ever loved (Emily Blunt).Matt Damon is doing things a lot of top movie stars are sometimes scared to do: spreading his image t! hin among a range of roles, directors, and material. His foray! s away f rom the huge successes of, say, the Bourne movies or the Ocean's series which have highlighted his fully realized strengths as a buff action hero who can also slip effortlessly into natural comic charm aren't exactly risky. His image as a leading-man movie star is pretty much sealed, but in movies like The Informant, Invictus, Hereafter, True Grit, and others, he's stretching some different muscles that take him closer to character-actor territory. That has largely been a good thing for his fans, if not for his box-office stats. The Adjustment Bureau takes him somewhere in between--he's in leading-man territory with the Damon charisma in full bore and giving his all to a story that needs the toned actorly muscle he provides.
Based on a novelette by science-fiction icon Philip K. Dick, The Adjustment Bureau exposes a cadre of people who are either superhuman or nonhumans and control the world by magically influencing! the fate of every single person in it. Damon plays David Norris, an aspiring politician who rose from working-class roots in Brooklyn (a not-so-closeted skeleton that sometimes comes back to haunt him) to wealth and the likely promise of high office. Unfortunately, David takes some liberties with his fate that don't correspond with the narrative laid out by "the Chairman," the entity in charge of the Adjustment Bureau autocrats whose matching fedoras are none-too-subtle symbols for wings. The movie evades any mention of religion, but those hats and references to the Chairman are huge winks. Emily Blunt is the equally appealing presence who screws up the Chairman's plan in concert with Norris. They fall for each other hard again and again, constantly thwarting and confounding the bureau's best-laid adjusting tricks at every turn. Though it is often simplistic in its plot contrivances, the movie is nifty, clever, nimbly paced, and filled with ingenious special effects. Espec! ially impressive is the recurring motif of doors that are virt! ual worm holes--a closet that leads to the middle of Yankee stadium, an Escher-like maze of conference rooms that constantly double back on themselves (shades of the dizzying door sequence in Monsters, Inc.). Another cool visual prop are the plain bound books bureau functionaries carry that are filled with intricate, animated schematic diagrams that chart the course of a life and how it interacts with others. John Slattery, Anthony Mackie, and Terence Stamp round out the uniformly excellent cast headed by Damon and Blunt, and with the slick production design and inventive effects, the glossy performances go a long way in adjusting up any dramatic shortcomings The Adjustment Bureau may have improperly calibrated. --Ted Fry
The current account deficit of the United States is more than six percent of its gross domestic productâ"an all-time high. And the rest of the world, including other G7 countries such as Jap! an and Germany, must collectively run current account surpluses to finance this deficit. How long can such unevenness between imports and exports be sustained, and what form might their eventual reconciliation take? Putting forth scenarios ranging from a gradual correction to a crash landing for the dollar, G7 Current Account Imbalances brings together economists from around the globe to consider the origins, status, and future of those disparities.
An esteemed group of collaborators here examines the role of the bursting of the dot-com bubble, the history of previous episodes of current account adjustments, and the possibility of the Euro surpassing the dollar as the leading international reserve currency. Though there are areas of broad agreementâ"that the imbalances will ultimately decline and that currency revaluations will be part of the solutionâ"many areas of contention remain regarding both the dangers of imbalances and the possible forms of adjustme! nt.Â
This volume will be of tremendous value to econom! ists, po liticians, and business leaders alike as they look to the future of the G7 economies.
Those who wish they had a resource in which every possible small business form and agreement they have ever encountered was located can breathe a sigh of relief. The Encyclopedia of Small Business Forms and Agreements is the answer, as it will provide small business owners with ready-to-use checklists, worksheets, forms, contracts, and human resource documents. Inside these pages you will find over 250 essential documents for all your hiring, firing, intellectual property, Internet, technology, legal, merger, acquisition, money, fundraising, sales, marketing, and starting a business needs. In essence, this book is a small business survival kit packed with materials you can use for every aspect of yo! ur job.
This encyclopedia and companion CD-ROM focuses on the issues, situations, and tasks that you, as a small business owner, face every day when running your business, such as incorporation, board and shareholder resolutions, partnership agreements, business plans, insurance, employee applications, employment policies, termination, job descriptions, employee benefits, sales and service contracts, bills of sale, invoices, press releases, raising capital, venture capital, license agreements, confidentiality and non-disclosure agreements, letters of intent, term sheets, domain names, e-commerce contracts, release forms, demand letters, litigation, and arbitration.
Included in this comprehensive book are hundreds of easy-to-implement tools, contracts, forms, and checklists that will help you organize your business and make it easier to manage while increasing your bottom line. With its professionally organized format, this book takes you step by step through t! he valuable forms, which may be easily printed out and customi! zed, tha nks to the convenient companion CD-ROM. <\p>
The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.
The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman! for the New Army, a West Point grad and Gulf War hero who pos! ed in a life-size recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.
This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo When seventeen-year-old heiress Averie Winston travels with her guardian to faraway Chiarrin, she looks forward to a reunion with her father, who is a commanding general, seeing her handsome fiancé Morgan once more, and exploring the strange new country. What she fi! nds is entirely different. Although the Chiarizzi appear to tolerate the invading army, rebels have already tried to destroy them; Morgan is not the man she thought he was; and she finds herself falling in love with Lieutenant Ket Duâkai, who himself comes from a conquered society. Can the irrepressible Averie remake herself in this new world? Sharon Shinnâs newest romance has an epic sweep, piquant humor, social commentary, and love to spareâ"just the thing when you want to lose yourself in another world.Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.
When a professional military woman with a pristine reputation is found raped and murdered, a preliminary search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner wil! l be a woman with whom he had a tempestuous affair and an unpl! easant p arting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with the "golden girl" - and many have wanted her dead.
It's Nelson DeMille at his best - exciting, suspenseful and highly provocative.Long before the John Travolta film of The General's Daughter (which the author extols in the foreword), Nelson DeMille's seventh mystery was the breakout hit of his career. The rapid-fire dialogue and scenes are cinematic, and the storytelling puts most movies to shame.
The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once h! ad an adulterous affair.
The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman for the New Army, a West Point grad and Gulf War hero who posed in a life-size recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.
This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo Here is an intriguing and sop! histicated murder mystery of an upstanding military officer - ! the base commander's daughter - who's been leading an unsavory double life.
When a professional military woman with a pristine reputation is found raped and murdered, a preliminary search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with the "golden girl" - and many have wanted her dead.
It's Nelson DeMille at his best - exciting, suspenseful and highly provocative.Welcome to the End of Empire. Set over two hundred years from now, in a world very much like Imperial Rome, this is the story of General Peter Black, the last decent man, as told through the eyes of his devoted (and illegitimate) daughter, Justa. Raised on battlefields, more comfortable in the com! pany of hard men of war than with women or other children, Justa must keep the truth of her birth hidden. Her father regards her as an embarrassment, a reminder of his one and only indiscretion. Yet she is a remarkable woman - one whose keen mind wins her an education at the feet of Emperor Mathias the Glistening himself. All his life, General Black served the noble emperor, and, out of loyalty to the father, continues to serve his son after Mathias' death, even as the son's reign degenerates into an insane tyranny worthy of Nero or Caligula. As the rule of the empire passes from father to son with disastrous results, a strange metal plague begins slowly destroying the empire's technology, plunging the realm into chaos and the world into war. Amid the destruction and upheaval, General Black must decide whether to turn his back on the men and institutions who never loved him nearly as much as he did them, or whether to save his most trusted ally and adviser, his best friend! and only real family. "The Martian General's Daughter" is a g! ripping tale of a world at war; of cunning strategies and vile politics; of bravery, foolishness, and excess. It is at once a stirring military adventure, a cautionary tale of repeating history, a cutting satire, and a heartbreaking examination of the joys and pain inherent in the love between a father and child. Judson's previous novel was selected in multiple best-of-the-year lists. With "The Martian General's Daughter", he offers another must-read epic destined to take its place in the canon of science fiction, and sure to appeal to readers of everything from Orson Scott Card to Walter M Miller, Jr.
From the cradle to college, tell your daughters the truth about life before they believe the cultureâs lies.
For mothers with girls newborn to eighteen, Five Conversations You Must Have with Your Daughter is simply a must-have book. Youth culture commentator Vicki Courtney helps moms pinpoint and prepare the discussions that should be ongoing in! their daughters' formative years.
To fully address the dynamic social and spiritual issues and influencers at hand, several chapters are written for each of the conversations, which are:
1. You are more than the sum of your parts
2. Donât be in such a hurry to grow up
3. Sex is great and worth the wait
4. Itâs OK to dream about marriage and motherhood
5. Girls gone wild are a dime a dozenÂdare to be virtuous
The book is linked to online bonus features offering invaluable tips on having these conversations across the various stages of development: five and under, six to eleven, twelve and up.
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Italian fabulist Italo Calvino observed that there are two kinds of artists--those who are prolific and successful, and the tortured geniuses, each gazing at the other in deep jealousy and admiration. The two rock bands chronicled in the documentary DiG! fall easily into this equation. On the side of the tortured geniuses is the Brian Jonestown Massacre, led by the psychedelic and volatile Anton Newcombe. Portland's the Dandy Warhols, fronted by Courtney Taylor, fulfill the role of the artists who, while unable to plumb the artistic depths of their friendly rivals, achieve a fair degree of popular acclaim (in Europe, anywa! y). Shot over seven years and containing some astonishingly in! timate f ootage, the film represents a labor of love for director Ondi Timoner, who befriended, lived, and traveled with the bands. DiG! will likely be most remembered for a remarkable scene of rock and roll implosion--a show in LA's Viper Room after which the Brian Jonestown Massacre were expected to ink a record deal. Instead, the band erupted in a fist fight onstage. Among themselves.
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Does it go uphill or downhill from here? Depends on your definition of the terms. While! dooming their careers, the Brian Jonestown Massacre manage to crank out an insane number of self-distributed albums--including three records in a single year. Courtney Taylor and the Dandies regard the musical output of their peers worshipfully and find themselves virtually ignored stateside but huge stars across the pond. While tens of thousands of fans in Germany and the UK sing along to every word at sold-out festivals headlined by the Dandies, Newscombe leads his crew in a nine-hour set in a dingy club for an audience of ten. Throughout the film there are controlled substances imbibed, clothing shed, sitars broken, punches thrown, arrests made. Taylor performs double duty as narrator of the film, begging the question of whether to accept his assertion that he fronts "the most well-adjusted band in America" at face value. The destined-for-greater-things Joel Gion, BJM's tambourine player, is the thief of every scene in which he appears, playing Flavor Flav to Newscombe'! s Chuck D. For those who want even more immersion, the DVD inc! ludes th e option to "zoom," or expand, various scenes--a very cool feature. Those responsible for the hilarious excesses of DiG! have made a movie worthy of being mentioned in the same breath as This Is Spinal Tap, as mixed an honor as that might be.
DVD Features
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The second of this set's two discs is practically its own sequel. Director Ondi Timoner had 1500 hours of footage to work with, so there was plenty of good material left on the cutting-room floor that found its way onto this supplemental disc. The deleted scenes include an unintentionally haunting pre-9/11 interview on a New York! rooftop with BJM's Anton Newcombe; the twin towers loom behind the singer as he attempts to justify singing about love yet engaging in violence, drawing tenuous parallels between himself and militant prophets throughout history. This, and Newcombe's delight in listening to Charles Manson's musical recordings, is about as heavy as it gets, though. Other extras include various videos by the bands, with the conspicuous absence of the Dandy Warhol's David LaChapelle-directed "Not if You Were the Last Junkie on Earth." (The omission is understandable in light of the Dandies' sour grapes over the $400,000 video.) The Where Are They Now features find various members of the bands a little older and reflective, with new families and new gigs, reminiscing fondly on the seven years spent under Timoner's watchful spycam. As is the case with the film proper, the mood picks up whenever Joel Gion appears. When is this guy going to get his own talk show? For fans of Timoner's commentary o! n disc 1 there is--get this--footage of the director and her p! artners recording that commentary. Why there's no footage of Timoner watching and commenting on the footage of herself recording the commentary is anyone's guess. --Ryan Boudinot
Dig These Discs by the Brian Jonestown Massacre
![]() Tepid Peppermint Wonderland: A Retrospective | ![]() Strung Out in Heaven | ![]() Bravery Repetition & Noise |
![]() And This Is Our Music | ![]() Thank God for Mental Illness | ![]() Bringing It All Back Home Again |
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Dig These Discs by the Dandy Warhols
![]() Welcome to the Monkey House | ![]() Thirteen Tales from Urban Bohemia | ![]() The Dandy Warhols Come Down |
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Dig These Documentaries (and One Classic Mockumentary) on DVD
![]() This Is Spinal Tap (Special Edition) | ![]() Metallica: Some Kind of Monster | ![]() Hype |
![]() X (The Band): The Unheard Music | ![]() End of the Century: The Story of the Ramones | ![]() Gimme Shelter |