Saturday, November 5, 2011

Qualatex 260 Balloons (100/bag) Assorted Pink, Pastel Blue, White, Onyx Black, Quartz Purple, Sapphire Blue, Emerald Green, Ruby Red, Citrine Yellow and Mandarin Orange

  • Trusted by Professional Twisters
This up-to-date and comprehensive electronic book on two CD-ROMs presents an incredible and totally revised collection of important documents, publications, and videos about the NASA Wallops Flight Facility in Virginia, NASA Sounding rockets, suborbital and small orbital missions, balloons, Black Brant, Terrier, and Aerobee rockets, and much more. The NASA/Goddard Space Flight Center (GSFC) operates the WFF located on the Eastern Shore of Virginia. NASA supports space and Earth science research and aerospace technology development through the use of rockets, balloons, aircraft, and small spacecraft. In support of these activities, Wallops offers a variety of services and operates a number of unique research facilities, including a launch range, research airport, scientific laboratories, and manufacturing and testing facilities. Founded in 1945, Wallops was est! ablished by the National Advisory Council on Aeronautics (NACA) as a test site for aeronautics research projects. During the 1940's and 1950's, prior to the era of high-speed wind tunnels, Wallops activities focused on providing operational testing for new aerodynamic configurations aboard rockets. During the 1960's, Wallops focused on support for numerous flight projects leading to human exploration of space, such as Little Joe, which tested the ejection system for the Mercury capsule. From the 1960's through the 1980's, Wallops supported the launch of more than 40 Scout rockets. During the 1990's, Wallops evolved its mission beyond operational support to include project management and implementation of various NASA space and Earth science activities aboard suborbital and small orbital carriers. During its history, Wallops has conducted more than 16,000 launches. Documents include descriptions and flight performance characteristics for sounding rockets and special proje! cts launch vehicles: BLACK BRANT V, TERRIER-MALEMUTE, IMPROVED! ORION, BLACK BRANT X, BLACK BRANT IX, BLACK BRANT XI, BLACK BRANT XII, TERRIER-IMPROVED ORION, TERRIER LYNX, TERRIER ORIOLE. Launch ranges in the sounding rocket program (in addition to WFF) include the U.S. Army White Sands Missile Range, Poker Flat Research Range, Andoya Rocket Range in Norway, and Esrange in Sweden. Official program documents in this collection include: 810-HB-SRP, Sounding Rocket Program Handbook; 840-HDBK-0001, Wallops Flight Facility Range User's Handbook; 453-GNUG, Ground Network Users' Guide; 840-HDBK-0002, Wallops Flight Facility Uninhabited Aerial Vehicle (UAV) User's Handbook; RSM-2002, Range Safety Manual for Goddard Space Flight Center/Wallops Flight Facility; 802-HDBK-0002, Wallops Flight Facility Geophysical Observatory Handbook; Wallops Flight Facility Frequency Utilization Management Handbook; and others.This up-to-date and comprehensive electronic book on two CD-ROMs presents an incredible and totally revised collection of important documents, ! publications, and videos about the NASA Wallops Flight Facility in Virginia, NASA Sounding rockets, suborbital and small orbital missions, balloons, Black Brant, Terrier, and Aerobee rockets, and much more. The NASA/Goddard Space Flight Center (GSFC) operates the WFF located on the Eastern Shore of Virginia. NASA supports space and Earth science research and aerospace technology development through the use of rockets, balloons, aircraft, and small spacecraft. In support of these activities, Wallops offers a variety of services and operates a number of unique research facilities, including a launch range, research airport, scientific laboratories, and manufacturing and testing facilities. Founded in 1945, Wallops was established by the National Advisory Council on Aeronautics (NACA) as a test site for aeronautics research projects. During the 1940's and 1950's, prior to the era of high-speed wind tunnels, Wallops activities focused on providing operational testing for new ae! rodynamic configurations aboard rockets. During the 1960's, Wa! llops fo cused on support for numerous flight projects leading to human exploration of space, such as Little Joe, which tested the ejection system for the Mercury capsule. From the 1960's through the 1980's, Wallops supported the launch of more than 40 Scout rockets. During the 1990's, Wallops evolved its mission beyond operational support to include project management and implementation of various NASA space and Earth science activities aboard suborbital and small orbital carriers. During its history, Wallops has conducted more than 16,000 launches. Documents include descriptions and flight performance characteristics for sounding rockets and special projects launch vehicles: BLACK BRANT V, TERRIER-MALEMUTE, IMPROVED ORION, BLACK BRANT X, BLACK BRANT IX, BLACK BRANT XI, BLACK BRANT XII, TERRIER-IMPROVED ORION, TERRIER LYNX, TERRIER ORIOLE. Launch ranges in the sounding rocket program (in addition to WFF) include the U.S. Army White Sands Missile Range, Poker Flat Research Range, ! Andoya Rocket Range in Norway, and Esrange in Sweden. Official program documents in this collection include: 810-HB-SRP, Sounding Rocket Program Handbook; 840-HDBK-0001, Wallops Flight Facility Range User's Handbook; 453-GNUG, Ground Network Users' Guide; 840-HDBK-0002, Wallops Flight Facility Uninhabited Aerial Vehicle (UAV) User's Handbook; RSM-2002, Range Safety Manual for Goddard Space Flight Center/Wallops Flight Facility; 802-HDBK-0002, Wallops Flight Facility Geophysical Observatory Handbook; Wallops Flight Facility Frequency Utilization Management Handbook; and others.100 piece assortment of the best quality twisting balloons, approximately 2 inches in diameter and 60 inches in length when fully inflated. These balloons withstand rough twisting, which makes them great for learning because they won't break so easily. Most colors have a see-through 'jewel' tone. This "Traditional" assortment includes Pink, Pale Blue, White, Onyx Black, Quartz Purple, Sapphire Blue,! Emerald Green, Ruby Red, Citrine Yellow, and Mandarin Orange.!

Ed Wood (Special Edition)

  • From Tim Burton, acclaimed director of BIG FISH, EDWARD SCISSORHANDS, and BATMAN, and the producer of THE NIGHTMARE BEFORE CHRISTMAS, comes the hilarious, true-life story of the wackiest filmmaker in Hollywood history, Ed Wood! Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, CHOCOLAT, EDWARD SCISSORHANDS) stars as the high-spirited movieman who refuses to let unfinished scenes
From Tim Burton, acclaimed director of BIG FISH, EDWARD SCISSORHANDS, and BATMAN, and the producer of THE NIGHTMARE BEFORE CHRISTMAS, comes the hilarious, true-life story of the wackiest filmmaker in Hollywood history, Ed Wood! Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, CHOCOLAT, EDWARD SCISSORHANDS) stars as the high-spirited movieman who refuses to let unfinished scenes, terrible reviews, and hostile studio executives derail his big-screen dreams. With an oddball collecti! on of showbiz misfits, Ed takes the art of bad moviemaking to an all-time low! The all-star cast features Bill Murray (LOST IN TRANSLATION, THE ROYAL TENENBAUMS), Sarah Jessica Parker (TV's SEX AND THE CITY), Patricia Arquette (STIGMATA, LITTLE NICKY), and an Academy Award(R)-winning performance by Martin Landau (Best Supporting Actor, 1994) as Bela Lugosi. Hailed by critics everywhere, this laugh-packed comedy hit is sure to entertain everyone!Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in ! black and white, just like Wood's creations, this stylized, wi! tty prod uction captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman

Ghost Dog - Way of Samurai - Whitaker Jarmusch 11x17 Poster

  • 11x17 INCHES
A black hitman goes by the name Ghost Dog and lives by the code of the samurai.
Genre: Feature Film Urban Action
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated cod! e of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street cl! othes, and oddly graceful gait--but then Ghost Dog: The Way! of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-dr! iven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerIndie film director Jim Jarmusch always works an unexpected angle, whether it's offbeat humor, a nonlinear narrative, or specific and idiosyncratic characterization. For his latest film--the story of a ghetto hit man who lives by the codes of the Hagakure, an 18th-century Japanese warrior text--Jarmusch enlisted RZA, a founding member of the Wu-Tang Clan. Instead of imagistic tone poems that serve to reinforce a certain mood, à la Neil Young on Dead Man, RZA offers active gunplay that propels the film's narrative. The 11 tracks serve as an RZA-produce! r showcase, standing as independent pieces, regardless of the ! movie it self. Tracks vary from the subdued "4 Sho Sho," which interpolates Forest Whitaker's interior monologue with RZA's street visions, to the stuttering rhythms of Kool G. Rap's "Cakes." Tekitha's '70s disco groove for "Walkin' Through the Darkness" offers unexpected sensuality, while "The Man" by Masta Killah sets things back on the gangsta tip. --Rob O'Connor Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the! film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker

Ballistic: Ecks vs Sever

  • Inspired by the Warner Bros. and Franchise Pictures movie "Ballistic: Ecks Vs Sever" starring Antonio Banderas,Lucy Liu and Ray Park
  • Over 22 single player missions, playing as former FBI agent Ecks or rogue NSA agent Sever;Three different modes of Multiplayer Multi Pak action including Death Match, Assassination, and Bomb Ki
  • Explosive, destructible environments. Cause real destruction in real settings
  • Explore bigger and more realistic areas in locations in the United States and the rest of the world
  • ounterstrike style hostage rescue missions. Fight your way into situations and then protect the innocent;Vastly improved enemy AI reacting to sound, sight and threatening situations;A massive array of realistic weapons including hand-to-hand items, pistols, shotguns, assault rifles, sniper rifle, and grenades
This is a story of two spies, who are lifelong adversarie! s, engaged in a cat-and-mouse hunt. Jonathan Ecks (Banderas) is an FBI agent hunting the other, Sever (Liu) a rogue NSA agent. What they learn, however, while trying to kill each other... is that they might be on the same side, and faced with a threat greater to each other than themselves.If you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United against a common enemy, Ecks and Sever lay wast! e to half of Vancouver (the film's budget-conscious location),! and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonIf you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United against a common enemy, Ecks and Sever lay waste to half of V! ancouver (the film's budget-conscious location), and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonIf you have a hearty appetite for fiery explosions, heavy ordnance, and nonsensical mayhem, Ballistic: Ecks vs. Sever is just for you. This mindless action flick is so wrong-headed that even its ungainly title is inaccurate: as expert assassins on the fringes of government intelligence, FBI agent Ecks (Antonio Banderas) and Defense Intelligence agent Sever (Lucy Liu) aren't battling each other at all. Instead, he's trying to find his missing ex-wife (the stunning but expressionless Talisa Soto) and young son, while she's pursuing an agency turncoat (Gregg Henry) who's stolen the ultimate micro-technology for clandestine killing. United agai! nst a common enemy, Ecks and Sever lay waste to half of Vancou! ver (the film's budget-conscious location), and it all makes as much sense as meatballs on a vegetarian menu. Banderas and Liu look fabulous as corpses pile up around them, but Thai action director Kaos (a.k.a. Wych Kaosayananda) must have confused his nickname with the incomprehensible plot of his movie. --Jeff ShannonThis digital document is an article from Semana, published by Spanish Publications, Inc. on September 20, 2002. The length of the article is 515 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Buenos y malos se enfrentan.(Ballistic: Ecks vs. Sever)(TT: Good and bad confront.)(TA: Ballistic: Ecks vs. Sever)(Reseña)
Publication: Semana (Magazine/Journal)
Date: September! 20, 2002
Publisher: Spanish Publications, Inc.
Volume: 8 Issue: 499 Page: 30(1)

Article Type: Reseña

Distributed by Thomson GaleThe World has changed. Freedom has been compromised. Terror attacks on innocent people are on the increase. Ex-FBI agent Ecks and Ex-NSA operative Sever are back in another action filled game that advances the boundaries of First Person Shooters on the Game Boy Advance. Whilst Ecks follows up leads on home soil, Sever takes the battle to the front, infiltrating suspected sleeper groups based overseas and closing in on their chain of supply. Only Ecks and Sever can save the world from certain nuclear holocaust. Have you got what it takes to help them? Go Global. Go Ballistic.

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Try as he might, Cliff Starkey just can’t keep out of trouble. With a dead-end career, there’s not much that makes him want to get out of bed in the mornings… except his one passion: Lawn Bowls. Almost as soon as he learned how to walk, he displayed a genius for the sport. To the dismay of the elderly, uptight bowls fraternity in town, Cliff honed his mastery of the game alone, playing by no one’s rules but his own. Now, the time has come for his skill to be recognized, and Rick Schwartz (Vince Vaughn), an American sports agent, is going to ensure that this ‘Bad Boy’ of bowls gets the spotlight he deserves. Cliff’s rock ‘n’ roll attitude and army of scre! aming female fans soon take England by storm, and he finds himself on the way to super-stardom! But can he take on the stuffy, business-like attitude of the Bowls Association and his senior arch-rival, Ray Speight? Starkey is only one match away from super-stardom as he joins forces with Ray in a ball-busting championship showdown!For 60 years professional baseball was a segregated sport. Even today, 44 years after Jackie Robinson broke the color barrier, most of the great black players of the Negro Leagues are forgotten or ignored. With this book, Holway sets out to rectify that. Features 25 tales of outstanding players."We were lucky to make it out of Shreveport alive on that early spring day in 1917.

"At noon, before the first game of our doubleheader, my All Nations team was taking batting practice, and as usual, I was studying the crowd. The people fascinated me: all those life stories that I’d never get a chance to hear, like that old colored man smiling! and singing to himself next to his stern, frowning wife in he! r flower ed hat, or the two white women with their cigarettes and exposed ankles. I was amazed by it all, though we never stayed in a place long enough to learn about anyone or anything more than the game and its players."

A story of the first truly integrated baseball team, decades before Jackie Robinson, set during the early years of World War I. Magic, miracles, and more...

"A Miracle in Shreveport" was first published in Electric Velocipede, May 2007, and was later reprinted in The All Nations Team. It also garnered an Honorable Mention in the Year’s Best Science Fiction vol. 25."We were lucky to make it out of Shreveport alive on that early spring day in 1917.

"At noon, before the first game of our doubleheader, my All Nations team was taking batting practice, and as usual, I was studying the crowd. The people fascinated me: all those life stories that I’d never get a chance to hear, like that old colored man smiling and singing to himself next ! to his stern, frowning wife in her flowered hat, or the two white women with their cigarettes and exposed ankles. I was amazed by it all, though we never stayed in a place long enough to learn about anyone or anything more than the game and its players."

A story of the first truly integrated baseball team, decades before Jackie Robinson, set during the early years of World War I. Magic, miracles, and more...

"A Miracle in Shreveport" was first published in Electric Velocipede, May 2007, and was later reprinted in The All Nations Team. It also garnered an Honorable Mention in the Year’s Best Science Fiction vol. 25.Custom Aluminum Street Sign. Made of aluminum and high quality 5-7 year outdoor vinyl lettering and graphics this sign is 4 x 18 inches. Made to last for years outdoors the sign is nice enough to display indoors. Want the 6"x24" size check out our other listings. Cannot find what your looking for just contact us we''''ll get it listed.

Friday, November 4, 2011

Black and White

  • ISBN13: 9780618636877
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Four stories are told simultaneously, with each double-page spread divided into quadrants. The stories do not necessarily take place at the same moment in time, but are they really one story? You’ll have to read this award winner and find out.
Black and White is an interesting title for a book that aims to prove there's no such thing as black and white. But read on and you will see that irony and playful deception are running themes in this multidimensional, nonlinear picture story, which was awarded the 1991 Caldecott Medal. In it, a normal-looking cow contains a robber literally pointing at one of the plot's various possible outcomes, which remain tentative as long as they are formu! lated by young readers. Seeing new angles and clues every time they open the book, these readers will probably astound adult onlookers with their excitement and ease at navigating the unknown in a literary medium akin to interactive multimedia.

2b Nicole Printed Bubble Dress - WINTER MEADOW (S)

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A gripping drama that follows a young suicide bomber on her mission to wreak havoc in Times Square. It is not known who she represents or what she believes in, but she believes in her mission absolutely.Big-screen favorite Harrison Ford stars in this nonstop adventure hit about a dream vacation that turns into a hilarious tropical nightmare! A gruff, rough-hewn cargo pilot living in the islands, Quinn Harris (Ford) hates tourists ... though he's not above making a fast buck from a sharp-tongued New Yorker, Robin Monroe (sexy Anne Heche -- VOLCANO, WAG THE DOG), when she's desperate for a quick flight to Tahiti! But this already uneasy relationship suddenly takes a nosedive when his weather-beaten old plane is forced down in a storm! Now, stranded togethe! r on a deserted isle, Quinn and Robin quickly discover all the perils of paradise. As this mismatched pair find themselves facing danger at every turn, you're sure to find their misfortunes fueling one of Hollywood's most entertaining action-comedy hits in years!The African Queen meets Swept Away in this sometimes labored romantic comedy by director Ivan Reitman. Fortunately, he cast an old pro in Harrison Ford, as Quinn Harris, a South Seas charter pilot who must ferry New York fashion editor Robin Monroe (Anne Heche) from one island to another--a hop that falls flat when they fly into a mammoth storm that causes them to crash on a deserted island. The pair resent and resist each other, until they are forced to team up to escape from the island--and some modern pirates who want their heads. If that part of the story is unconvincing, you can always focus on the smoldering comic chemistry between Heche, who displays strong comic instincts, and the ever-reliabl! e Ford. The script is just an excuse for these two flinty char! acters t o strike increasingly romantic sparks off each other, which is always enjoyable to watch. --Marshall FineJosh Harnett (Black Dahlia, Pearl Harbor) crosses over to the dark side in this bone-chilling adaptation of the cult-hit graphic novel, brought to the screen in all its demonic glory. In a small Alaskan town, thirty days of night is a natural phenomenon. Very few outsiders visit, until a band of bloodthirsty, deathly pale vampires mark their arrival by savagely attacking sled dogs. But soon they find there are much more satisfying thirst-quenchers about: human beings. One by one, the townspeople succumb to a living nightmare, but a small group survives - at least for now. The vampires use the dark to their advantage, and surviving this cold hell is a game of cat and mouse - and screams.David (Hard Candy) Slade directs this nerve-jangling adaptation of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town i! n the grip of 30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-marshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along with Pirates of the Caribbean's Stuart Beattie and Hard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker's Dracula, natch, but also Salem's Lot, Night of the Living Dead, and John Carpenter's version of The Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a fe! ral and frightening Danny Huston). And if the characters seem ! stock an d the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently supercharged with suspense and violence to please most horror fans. Standouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention. --Paul Gaita

Stills from 30 Days of Night (click for larger image)







Beyond 30 Days of Night


On Blu-ray

Audio CD

Hard! cover Book

Excerpted from the ! antholog y NIGHTS GONE BY -- by #1 Kindle Suspense author Jason McIntyre comes the story of two old souls connecting under darkening skies.

On this day, as they peer into the heavens together, elderly Jarvis Schloss unburdens his soul to another park dweller as they sit on his favorite park bench. In the tradition of Rod Serling, this eerie tale begins as the two each reflect on the primes of their lives and uncover something even darker than the sky overhead. DARK THAT DAY, AFTER ALL explores our relationship with others, our duty to them, and whether we can expect to trade someone else's good fortune for our own.Excerpted from the anthology NIGHTS GONE BY -- by #1 Kindle Suspense author Jason McIntyre comes the story of two old souls connecting under darkening skies.

On this day, as they peer into the heavens together, elderly Jarvis Schloss unburdens his soul to another park dweller as they sit on his favorite park bench. In the tradition of Rod Serling, this eer! ie tale begins as the two each reflect on the primes of their lives and uncover something even darker than the sky overhead. DARK THAT DAY, AFTER ALL explores our relationship with others, our duty to them, and whether we can expect to trade someone else's good fortune for our own.Josh Harnett (Black Dahlia, Pearl Harbor) crosses over to the dark side in this bone-chilling adaptation of the cult-hit graphic novel, brought to the screen in all its demonic glory. In a small Alaskan town, thirty days of night is a natural phenomenon. Very few outsiders visit, until a band of bloodthirsty, deathly pale vampires mark their arrival by savagely attacking sled dogs. But soon they find there are much more satisfying thirst-quenchers about: human beings. One by one, the townspeople succumb to a living nightmare, but a small group survives - at least for now. The vampires use the dark to their advantage, and surviving this cold hell is a game of cat and mouse - and screa! ms.David (Hard Candy) Slade directs this nerve-jangling! adaptat ion of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town in the grip of 30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-marshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along with Pirates of the Caribbean's Stuart Beattie and Hard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker's Dracula, natch, but also Salem's Lot, Night of the Living Dead, and John Carpenter's version of The Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett ! and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a feral and frightening Danny Huston). And if the characters seem stock and the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently supercharged with suspense and violence to please most horror fans. Standouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention. --Paul Gaita

Stills from 30 Days of Night (click for larger image)







Beyond 30 Days of Night


Hardcover Book

On Widescreen DVD

Audio CD

Add a touch of girly charm to your day-to-night dresses with this 2b tube dress, featuring heart-shaped neckline, sweet floral print, pleated detail, and fluffy hemline. Accented by a metallic leatherette belt. Style it with a high-shine metallic heel for balance. Hidden zipper. Padded bust. Non-slip lining. Center back to hem: 23".

10 Things I Hate About You

  • A cool cast of young stars is just one of the things you ll love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon Levitt Halloween: H20, TV s 3rd Rock From The Sun) instantly falls for Bianca (Larisa Oleynik The Baby-Sitters Club), the gorgeous girl of his dreams! The only problem is that Bianca is forbidden to date.until her ill-tempered, completely un-
Ellie, a free-spirited and headstrong young woman is left in charge of a residential home over the Christmas holidays. Her youth and inexperience bring her into bitter conflict with the four grumpy old residents. HOW ABOUT YOU deals with the hilarious antics of this uncivilized group, an unlikely romance, and the gradual solidarity that develops between the residents and Ellie, in this critically acclaimed heartwarming and irresistible film.After being cut from the usa softball team and feeling a bit! past her prime lisa finds herself evaluating her life and in the middle of a love triangle as a corporate guy in crisis competes with her current baseball-playing beau. Studio: Sony Pictures Home Ent Release Date: 03/22/2011 Starring: Reese Witherspoon Owen Wilson Run time: 121 minutes Rating: Pg13 Director: James L. BrooksCompared to previous James L. Brooks dramedies, like As Good As It Gets, How Do You Know feels slight, but it still marks an improvement over the ill-conceived Spanglish. The setup begins with a newly minted couple and a brand-new single. Lisa (Reese Witherspoon), a pro softball player, dates Matty (Owen Wilson), a major-league pitcher, who lives in the same Washington, D.C., high rise as financial exec Charles (Jack Nicholson, looking ill at ease), whose son and employee, George (Paul Rudd), gets the boot from his girlfriend after he loses his job. When George meets Lisa, who didn't make the team, sparks fly, but she's unavail! able, so they get on with their lives. Hardly the brightest bu! lb, Matt y raises Lisa's spirits with his goofy antics, so she moves in with him. Then George finds out he faces charges for tax fraud, even though he broke no laws. While his pregnant assistant, Annie (Crossing Jordan's Kathryn Hahn), supports him through the crisis, he can't stop thinking about the blonde from the elevator, so he tries to get to know Lisa better. Throughout the rest of this glossy entertainment, their friendship verges on romance, but Lisa stays with Matty, until Annie helps her to see George clearly for the first time. As love triangles go, Brooks isn't reinventing the wheel, making this underwritten affair one of his less inspired creations, but Witherspoon, Rudd, and Wilson are good company--even if the latter is essentially reprising his vacuous Zoolander character (just substitute baseball for modeling). --Kathleen C. FennessyGreenwich Village newlyweds Jamie and Paul Buchman (Academy Award winner Helen Hunt and Paul Reiser) reach new heig! hts of hilarity and neurosis in the third season of this Emmy Award-winning comedy series. With lovable characters in both achingly real and hilariously unreal situations, this smartly written sitcom showcases a Manhattan couple trying their hardest to keep love alive in the midst of all the mad, mad, mad, mad, madness that modern marriage can bring!Four years after Mad About You's complete second season was released on DVD (and two years after a highlights collection seemed to signal the end of season-by-season releases), the complete third season of everyone's favorite neurotic couple is finally on DVD. If Paul (Paul Reiser) and Jamie (Helen Hunt) Buchman don't drive each other nuts, they'll do it to their British neighbors, or the whole building, such as when an attempt to steal cable TV goes awry ("Pandora's Box"). Not to mention their whole crazy cast of characters, including Jamie's useless sister Lisa (Anne Ramsay), Paul's shifty cousin Ira (John Pankow), Pa! ul's parents (Cynthia Harris and Louis Zorich), Jamie's parent! s (There sa Fuller and John Carlin, replaced in later years by the stunt casting of Carol Burnett and Carol O'Connor), the building super (Jerry Adler), Jamie's best friend Fran (Leila Kenzie), and supremely clueless waitress Ursula (Lisa Kudrow). Some of the episodes had appeared on the highlights collection, such as the zany Thanksgiving dinner ("Giblets for Murray"), Paul's reality TV show in which he turns the camera on Jamie and himself ("Our Fifteen Minutes"), and Carl Reiner's appearance as a TV legend ("The Alan Brady Show"). But others are finally seeing the DVD daylight, including "The Ride Home," in which Paul and Jamie take a cab ride and recount, from different perspectives, how Fran's birthday party turned into a disaster involving guest stars Wendie Malick and Eric Stoltz. In the two-part "Mad About You," they flash back to the preparation for their wedding, and Paul flashes back to birthdays from hell in "Cake Fear." Cyndi Lauper returns as Ira's ex-wife (a guest ! appearance for which she won an Emmy, as did Reiner) in "Money Changes Everything" and Stoltz turns Jamie into a comic-book character ("My Boyfriend's Back"). Then in the two-part season finale, they're transported It's a Wonderful Life-style into a world in which they'd never met ("Up in Smoke").

Does it matter that the set has no bonus features? Maybe not so much. The bells and whistles of the Mad About You Collection were nice, but they don't compare to having a complete season's worth of episodes on DVD. We want Paul and Jamie, with their hilarious and touching quirks and chemistry, just as we watched them on TV. That's all we're saying. --David HoriuchiConventional Wisdom tells us that all we need to do to lose weight is to eat less and/or do more. Zoe Harcombe busts this, and other diet myths in this thought provoking article.

One pound does not equal 3,500 calories. You will not lose one pound if you create a deficit of ! 3,500 calories. Eating less/doing more will not work. Five-a-d! ay is no t only a myth, but a contributor to the obesity epidemic.  Saturated fat does not cause heart disease. Your body makes cholesterol, your body is not trying to kill you and more.

As well as busting 20 of the most strongly held diet myths of all times, this article includes the full introduction to Zoë Harcombe’s book The Obesity Epidemic: What caused it? How can we stop it?

There are some technical aspects to this manifesto, but the human body is far more complex than a simple 'eat less, do more' mantra can ever explain.

This article is approximately 20 pages in length, 10167 words.Conventional Wisdom tells us that all we need to do to lose weight is to eat less and/or do more. Zoe Harcombe busts this, and other diet myths in this thought provoking article.

One pound does not equal 3,500 calories. You will not lose one pound if you create a deficit of 3,500 calories. Eating less/doing more will not work. Five-a-day is not only a ! myth, but a contributor to the obesity epidemic.  Saturated fat does not cause heart disease. Your body makes cholesterol, your body is not trying to kill you and more.

As well as busting 20 of the most strongly held diet myths of all times, this article includes the full introduction to Zoë Harcombe’s book The Obesity Epidemic: What caused it? How can we stop it?

There are some technical aspects to this manifesto, but the human body is far more complex than a simple 'eat less, do more' mantra can ever explain.

This article is approximately 20 pages in length, 10167 words.A cool cast of young stars is just one of the things you'll love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon-Levitt -- HALLOWEEN: H2O, TV's "3RD Rock From The Sun") instantly falls for Bianca (Larisa Oleynik -- THE BABY SITTERS CLUB), the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date ... until her! ill-tempered, completely un-dateable older sister Kat (Julia ! Stiles - - THE BOURNE IDENTITY, SAVE THE LAST DANCE) goes out too! In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad-boy (Heath Ledger -- A KNIGHT'S TALE, THE PATRIOT) with a nasty reputation of his own! Also featuring a hip soundtrack -- this witty comedy is a wildly entertaining look at exactly how far some guys will go to get a date!It's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew takes the basics of Shakespeare's farce about a surly wench and the man who tries to win her and transfers it to modern-day Padua High School. Kat Stratford (Julia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for everyone; her sunny younger sister Bianca (Larisa Oleynik) is poised for high school stardom. The problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say ne! ver. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energetic and winning is the formula that helped make She's All That such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charming Aussie accent, and Stiles mines Kat's bitterness and anger to depths usually unknown in teen films; her recitation of her English class sonnet (from which the film takes! its title) is funny, heartbreaking, and hopelessly romantic. ! The impe rious Allison Janney (Primary Colors) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark Englehart

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